JEZZ WOODROFFE – WONDERS OF THE UNDERWATER WORLD

Posted on 2023-09-18

This is just the best is so many ways. It’s a beautiful electronic score to a 1981 underwater film. Music was made by Jezz Woodroffe, who worked with Black Sabbath and decided to go out on his won musically. He has an exceptions studio full of incredible cutting edge tech at the time, such as a CS-80, so music of the score sounds like Vangelis. The original LP is exceptionally rare and to make this repress extra special I decided to do a DIY sleeve where we have an empty seascape sleeve (designed by DJ Food using AI tech) and inside the LP sleeve is an A4 set of underwater stickers with fish, sharks, frogmen and a small sub, so you can make your own underwater seascape scene. Inspired by Action Transfers back in the 1970s. It’s brilliant even if I say so myself. Musically amazing, visually amazing too. A one-off pressing, if it does get repressed it won’t have the stickers.

trunkrecords.greedbag.com

  

GRETEL IN CONVERSATION WITH LO HARLEY

Posted on 2023-09-16

Gretel! How are you? Where are you in the world right now?

I’m well thanks! I’m actually at my parents home in west London, the living room to be specific. It’s been a while since I’ve been home for more than 5 days – between the touring and going up to wales to see my boyfriend i probably spend most my life on wheels!

Congratulations on being BBC Radio 1’s Hottest Record! Tell me more about the track!

Oh cheers yeah I’m so pleased. This song is definitely the one I’ve put the most time and effort into and it’s my favourite I’ve ever released. It’s so exciting having it out there, it’s a track that winks at what’s to come for me. At the time I wrote it I’d been, and am, heavily inspired by the tragic lyrics behind most of the smiths cheeriest songs, and also the confidently upbeat guitar riffs in the cure’s music too. It’s about that feeling of imposter syndrome, when you want to make a good impression but you can’t help but think ‘what the hell am I doing here?’. It’s something I felt a lot on my recent and first ever trip to Los Angeles, where I stayed and wrote music for the album for 6 weeks. It’s a strange place, I felt very disconnected, but I always put on a smiley mask inbetween my emotional wobbles! That feeling inspired this song, it’s shrouded with surface level cheeriness.

What’s your song writing process like at the moment?

I like that you say ‘at the moment’ because it does change! For the last months I’ve been ‘collecting’ demos – so writing at home, or going out to meet with producers and fiddle with instruments til a musical idea sparks. It’s best when I have someone in the room, the act of taking up someone else’s time forces me to really focus and get shit done. Next week I’ll be taking the first few demos into the studio to start producing the album, which my band will be playing on! I’m really enjoying challenging myself lyrically too, being concise and very intentional.

What lyric are you most proud of?

while the boys all give it large, the girls have been told to starve, like the breakfast club but haunted.

Describe your sound in three words?

I’d describe my upcoming stuff and current sound (with my unreleased music) as ‘Joni Mitchell + distortion’ but of my released stuff I’d say ‘dark catchy grunge’.

HEAD OF THE LOVE CLUB is beautiful! Tell me more about putting that EP together?

That EP came together slowly and then very quickly. I had a bunch of demos that I’d recorded over the span of maybe 5 months which I took to my good friend and producer Mura Masa and he basically polished everything up for release! Time was of the essence so we just smashed through it in less than a week. He’s very good at that Rick Rubin- creative direction- beauty-is-in-my-mistakes style production. It’s very different to my current process where each song gets taken apart, replayed perfectly and we spend days agonising and perfecting each song. That’s what the process was like on War With America, produced by Charlie Andrews, and it was knackering but worth it for that song! 100 versions later we finally got it perfect!

You had a big festival season this year! How was it playing Coachella?

Playing coachella was incredible. It was bloody nerve wracking but I loved my time on stage. My favourite part was watching the acts after we played and taking notes from the best performers and shows in the world! I even had the honour of being ignored by Jai Paul himself backstage. Fair enough!

Who would be on your dream line up?

This is where I wish I’d been to more gigs- I’ve only recently started going, mainly for inspiration! I’d say… talking heads, wham!, Kate bush, Rosalia, fontaines DC, queen, wolf alice, sinead o Connor, the pogues, Jeff Buckley, take that, the white stripes, Frank ocean. Assuming this is dead or alive of course!

What’s a collaboration you’re manifesting?

Frank Ocean probably!

What’s inspiring you at the moment?

I’m getting a lot of inspiration from Irish folk stories right now, my mother is Irish and I’ve been spending more time with my grandfather who immigrated here from Ireland some years ago, as his memory faded away he still manages to sing along to the old Irish songs and they’re melodies that somehow feel timeless. It’s amazing how a good melody can surpass memory. It remembers itself.

What piece of music changed your life?

Tim Buckley- chase the blues away. When I was younger I tried learning this song on guitar but learnt it wrong and ended up writing my first ever finished song from that incorrect riff! That song was called ‘Too Dark’.

What can we expect from your upcoming US tour?

You can expect a lot more finesse, freshly released music, as well as some unreleased album! And of course the ‘classics’ ! Also you’ll expect better stage outfits, and belted super-vocals!

What are your hopes for the future?

To get the album sounding exactly how I want, to have enough money to fund my music better (or a fat record deal), and just to keep finding things around me inspiring! As long as I’m happy and excited about life, I don’t mind where my future takes me.

Photography and interview – Lo Harley
Stylist – Elle Fell
MUA – Tina Khatri
Hair – Hannah Godley

www.gretelhanlyn.com

  

ELKKA Q&A

Posted on 2023-09-04

Hey Elkka! How are you? Where are you in the world right now?

I am great thank you. Currently at home in South London recovering from a busy bank holiday weekend where I performed live at All Points East…last festival of the summer!

You started as a songwriter and then moved to producing music – what part of the creative process inspires you the most?

I honestly now see it as one and the same thing. I use to think production was this magical language I didn’t understand, nor was it my place to but now songwriting and production happen intrinsically together. I do think having spent so many years just writing toplines and melodies, it really translates into how I make my music now. I couldn’t write minimal techno for instance. There has to be emotion and melody behind everything I create, whether its coming from a synthesiser or my own voice.

How did your sound take shape?

I think my sound really started taking shape when I removed the barrier between me and writing which was all the various producers I worked with the years before. As soon as I started to produce myself, I finally was able to craft something that was true to me, totally uninterrupted by other peoples influences and thoughts about what I ‘should do’. I was able to follow my instincts purely for the first time and figure out what my sound really was.

With your influences ranging from Britney to Imogen Heap, what are you listening to at the moment?

I am currently listening to a lot of John Caroll Kirby who I have been fortunate enough to be in the studio with also. I just love everything he does. I have also being going back to old Dixie Chicks albums…now called ‘The Chicks’. I just love their storytelling.

I’ve heard you speak about being obsessed with strong women who do whatever the fuck they want. How did you break free from caring about what other people think?

Ooh I mean its a constant battle for most people to try not to care what people think but I do this the most consistently through my music. Just because I learnt that crafting something that is true to you is the super power because no one else can what you do. So if you try to dilute to please other people or sound like other people it won’t resonate and connect with people. I have my moments of deep insecurity though of course…but it comes in waves and I fight my way through it to keep going and believing.

Tell us more about DJ Friendly…

The EP is is the expression of the urges and intensity that the club space gives to me . I feel like I tend to walk a tightrope between the club and more live-facing music. This one is firmly on the club side. Sometimes I need to release that side of me, inspired by the parties I have played at and partied in over the summer. It builds and builds until the urges are met and I can refresh and allow myself to start again creatively.

I’ve been playing the tracks in my sets all summer and the crowd reactions have been giving me so much energy, so I hope it translates at home. There’s also a special bonus track on the white label for my vinyl crew.

How do you think industry is changing for the better, and what still needs to change?

Its hard to say how its changing for the better as there really is so far to go when it comes to inclusivity, safe spaces and balance re representation in lineups. I don’t have all the answers but I do know we are a long way from getting it right. Its very much still a CIS mans world out there.

Within your music there is an emphasis on connection and feeling good. Why do you think escapism is so important?

I think its a tough world to live in and only getting harder for most people…we all need a break to feel free at times and let our nervous systems calm and reset. I think dancing is an incredible way to do this, to have mindfulness for a day or night, its hugely powerful and helps people re-energise to deal real life again.

What was the experience like supporting Caribou and Jon Hopkins?

Honestly, I learnt so much but mainly they were all so encouraging of what I was doing and gave me great advice re touring life. Its an odd world to exist in at times so to hear from people who have done for it so long who you admire so much, its really powerful.

What are your hopes for the future?

Great friends, great loves and great sex

Photography – Alexandra Lambert
Words – Lo Harley

www.elkka.com

  

CUMGIRL8

Posted on 2023-08-26

New York post punk band cumgirl8 present the EP Phantasea Pharm – their debut release under 4AD.

Recorded, mixed and mastered entirely from analog tape, Phantasea Pharm was born out of an obsession with Ella Fitzgerald’s ‘Old McDonald’ ahead of a show in Charlottesville, Virginia. The band decided to pay homage. Vilim dressed up in a cow leotard with pig accessories, Lombardo in a g-string and apron that read ‘The Grillfather,’ Rodrigues became a lawn mower, and Fox took on the role of a sexy rooster. “We went on stage that night and told everyone we were a ‘Fantasy Farm.’”

The result is six tracks of boundaryless music that stretch across the likes of Cocteau Twins, ESG, Suicide, The Slits, B-52s, Madonna. Among those tracks are previously released singles ‘Gothgirl1’, ‘Cicciolina,’ a tribute to the Hungarian-Italian pornstar turned politician of the same name and accompanied by Emmie America-directed visuals, and ‘cursed angel.’ Cumgirl8 are now in the UK and Europe for the rest of the summer for a handful of festivals and in-store appearances at Rough Trade East and Resident. The band will return to the continent in November, see below for full tour dates.

Photography and Words – Lo Harley

www.cumgirl8.com

  

ICEBOY VIOLET – EKKLIPSE

Posted on 2023-08-21

The official video for Glóð by Sigur Rós. Directed by Claudia Hausfeld and Rúnar Rúnarsson.

iceboyviolet.bandcamp.com

  

SIGUR RÓS – GLÓÐ

Posted on 2023-08-14

The official video for Glóð by Sigur Rós. Directed by Claudia Hausfeld and Rúnar Rúnarsson.

sigurros.com