TRANSCENDER FESTIVAL – BARBICAN, LONDON

Posted on 2013-10-07

NICOLAS JAAR PLUS EVIAN CHRIST WITH JOSHUA LIGHT SHOW

There was no doubting (at least in our minds) that Saturday night at the Barbican in East London was the hottest ticket in town. Nicolas Jaar, the New-York based Chilean-American electronic musician two years on from his debut album Space is Only Noise was performing, in collaboration with Joshua Light Show, including some of the original Woodstock-era team and Joshua White himself.

For most of the set, we remained seated. This was a performance that required concentration. Jaar used his voice sparingly, but it was at the points when his vocals cut across the track with smooth, old-school cool, that his music was at its cleverest and most mesmerising. From the middle of a ring of tech, plus vibraphone and – once – piano, he took us from serene to edging on dance in what seemed like one seamless piece of music. But dancing may just have pushed us over to full sensory overload, so intense was the experience.

The visuals felt like neither an accompaniment nor an afterthought, but a chance to get in on another act of creation. The team choreographed the light show live, using lasers, ink and shapes, smeared, flicked and beating across the screen. Describing their offering as ‘psychedelic’ doesn’t quite do them justice, although deep into the set you could find yourself losing track of what was following what – the music or the light. When Jaar first came to the mike to sing, accompanied by four female (and Londoner) choral voices, whilst red ink bubbled and bloomed high above him, it was almost impossibly beautiful.

Jaar was supported by Evian Christ (pseudonym of the UK producer and artist Joshua Leary), who also benefited from the fantastical visuals. He has previously worked with Kanye West on Yeezus, and you could recognise some of the intelligent hip-hop sampling. But this was a more unnerving and melancholy sound – with the incredible sound system in the Barbican hall only a further gift.

We finished on a treat: a thirty minute set – unannounced – from Darkside, Jaar’s collaboration with guitarist Dave Harrington, with tracks from their new album, Psychic, out on October 8. Although equally incredible, the extra person didn’t make Jaar’s previous work feel any less layered – testament to his talent as a solo artist.

Jaar was performing as part of the Transcender festival, an annual fixture at the Barbican for the last five years. Evolving out of the Ramadan Nights series, the festival intends to explore “spiritual, devotional and psychedelic music”, including contemporary and traditional, Western and non-Western artists, alongside new collaborations such as this one with Joshua Light Show. When we finally got up and danced for the encore, it did feel something like a religious experience. One thing is certain: someone at the Barbican seriously knows what they’re doing.

Words – Rosie Hore

www.nicolasjaar.net
www.barbican.org.uk
www.darksideusa.com
Nicolas Jaar (Live) – Barbican, London – 5/10/13

  

BNE X SHEPARD FAIREY – CHARITY: WATER

Posted on 2013-09-30

After selling out of their initial endeavor, BNE and Shepard Fairey have released an 18″ x 24″ version of the collaborative print. To raise money for charity: water with 100% of the print’s proceeds going to benefit the clean water-providing non-profit, the multicolored design is limited to just 400 hand-numbered pieces, each signed by both BNE and Fairey.

bne.org

  

JAPANESE CHAZUTSU TEA CADDIES BY KAIKADO

Posted on 2013-09-23

Kaikado is the oldest family owned maker of handmade tin tea caddies in the world, the family began producing their innovative Chazutsu caddy in 1875, using sheets of tin imported from Cornwall. Today four skilled craftsman led by Mr Yagi, Design Director, still make the traditional tin, brass, copper and silver caddies at the family run workshop in Kyoto.

Each caddy is made of two layers of metal, the double wall construction keeps the caddies completely airtight and the contents dry. With daily use the outer metal layer will change in tone and develop a unique patina; colour changes in copper being noticeable within three months and the tin caddy slowly changing colour over three to five years.

There are more than 130 highly skilled processes involved in the production of each caddy, many of which can only be carried out by Mr Yagi and his father. The special airtight feature has remained unchanged for over a century, production is time consuming and the finishing meticulous in its attention to detail.

Margaret Howell has selected three cylindrical caddies, available in tin and copper, as well as a special 200g tin caddy with a boxwood lid handle.

Mr Yagi will be demonstrating some of the processes involved in the making of a traditional Japanese Chazutsu tea caddy at the Margaret Howell Wigmore Street shop on Sunday 29th September.

www.margarethowell.co.uk

  

MARGARET HOWELL X OPEN HOUSE LONDON 2013

Posted on 2013-09-19

Margaret Howell continues to support Open-City, the architectural education charity founded by Victoria Thornton to raise awareness and appreciation of the urban landscape. Open-City actively promotes public engagement and education programmes, encouraging a dialogue about the built environment and urban regeneration projects. Established in 1992, the charity offered the public access to private and public buildings of architectural merit over a single weekend in September, many of the buildings were open to the public for the first time. The initiative was known as Open House Weekend, launched in London and now a global annual event across twenty cities including New York, Buenos Aires, Tel Aviv, Perth, Barcelona, Rome and Helsinki.

Margaret Howell has sponsored Open House London Weekend since 2003, supporting a number of buildings from the post war modernist movement designed by architects Margaret Howell personally admires, buildings have included The Royal Festival Hall, Swiss Cottage Library, Balfron Tower and Span Housing.

For this year’s Open House London Weekend (21 – 22 September) Margaret is supporting Battersea Power Station and encouraging the public to visit the building before the site is handed over to developers at the end of September.

Margaret has produced a series of postcards showing a selection of her favourite Open House buildings, the postcards will be available at Battersea Power Station and other key venues over the weekend. The postcards preview the creative concept for the Margaret Howell 2014 calendar, in which Margaret selects twelve buildings she has personally supported or visited since Open House London Weekend started in 1992. The calendar will be available in October and sold to support the work of Open-City, with all profits from the sale of each calendar being donated to the charity.

www.margarethowell.co.uk
www.londonopenhouse.org

  

VANS X FIRE-KING 2013 MUGS

Posted on 2013-09-16

Having partnered earlier in the year, Vans and longstanding glassware brand Fire-King rejoin for another collaborative set of mugs. The goal of this collection was to align the rich histories of both brands and shape them into a grouping of mugs that feature Vans’s iconic checkered print and ‘Off The Wall’ logo as well as Fire-King’s simplistically timeless aesthetic. Each mug will be packaged in the California brand’s original shoe box design.

vans.com

  

ORANGINA X ANDRE

Posted on 2013-09-09

Orangina teams up with prominent French artist ANDRE for a collaborative box set that includes a redesigned bottle. Granted free rein on this project, André Saraiva brought the European drink to his colorful and quirky universe with a bottom-heavy bottle that features one of his reoccurring characters.

www.orangina.com