ELMGREEN & DRAGSET – SHORT STORY

Posted on 2020-05-18

Short Story sets the stage for a match between two boys. When entering the gallery space visitors will encounter an almost full-size tennis court, slightly raised off the ground. A net in the middle divides the two players and creates a sort of horizontal diptych. The white lines painted onto the orange-brown ground surface not only indicate the set rules of the sport, but also visually remind us of the grid principles of Modernism and the road markings that regulate our behavioural patterns within public space. The white-painted figurative bronze sculptures of the boys are placed diagonally at opposing ends of the playing field, small and isolated on the large plane. The boys’ bodies and gazes are turned away from each other, the dialogue and play between them have come to an end. Rather than joy, a discomfort seems to have arisen from the game, for both “winner” and “loser”. The scene is a freeze frame capturing the charged moment ensuing a defeat, where the audience, as onlookers, fulfil the narrative. Was it a fair game? Is it ever a fair game?

Opposite – Kev, 2020

Exhibition runs through to August 2nd, 2020

König Galerie
St. Agnes – Alexandrinenstr, 118-121
10969 Berlin
Germany

www.koeniggalerie.com

  

TAKESADA MATSUTANI – STREAM

Posted on 2020-05-18

With the online exhibition, ‘Stream’, Ōsaka-born and Paris-based artist Takesada Matsutani presents a series of previously unseen works, alongside a significant body of preparatory drawings, multi-media paintings and lithographs, dating from the 1970s to present day. Organised with Olivier Renaud-Clément, the intimate presentation embodies Matsutani’s intuitive and enduring connection with his materials over the past six decades, including a new work created in the artist’s studio and home during this period of isolation.

Opposite – Stream 78-1, 1978

Exhibition runs through to September 5th, 2020

Hauser & Wirth
Limmatstrasse 270
8005 Zürich
Switzerland

www.hauserwirth.com

  

SOFT VIBRATIONS

Posted on 2020-05-18

Soft Vibrations, a group exhibition that brings together the work of Heather Cook, Roger Herman and Jim Isermann. This exhibition conciders the distinct studio practices of these artists and how their work is manifested both conceptually and physically through their engagement with modular constructs and the use of the hand.

Opposite – Untitled (orange 21, pink 191, blue 285, light blue 295), 2011

Exhibition runs through to September 5th, 2020

Praz-Delavallade
6150 Wilshire Blvd
CA 90048
Los Angeles

www.praz-delavallade.com

  

JAN HENDERIKSE – FACING NEW REALITY

Posted on 2020-05-11

Jan Henderikse, a Dutch-American citizen, was born in the Dutch city of Delft in 1937. He left his hometown in 1959 for Düsseldorf, Germany and from there he moved to Curaçao in 1962. In 1968 he moved to New York and lived for a few years in the iconic Chelsea Hotel. He embraced New York as his new hometown while maintaining studios in Berlin and Antwerp.

Henderikse was well aware of the new developments in the New York art scene with which he immediately felt an affinity with. In 1962 the legendary Sidney Janis Gallery presented ‘The New Realists’, an exhibition with Andy Warhol, Roy Lichtenstein, Claes Oldenburg and George Segal in combination with their European ‘Nouveau Realisme’ counterparts Yves Klein, Jean Tinguley, Arman and Daniel Spoerri. Henderikse knew his European colleagues quite well, having exhibited with them in the early days. They all shared similar ideas and felt the same in creating and welcoming this ‘New Realisme’. For them, no more old-fashioned painting, but instead now facing New Reality.

Opposite – PP 11-A, 1966

Exhibition runs through to May 15th, 2020

The Mayor Gallery (Frieze Viewing Room)
21 Cork Street
First Floor
W1S 3LZ
London

www.mayorgallery.com

  

GIULIA ANDREANI – WAS BIRGST DU SO BANG DEIN GESICHT?

Posted on 2020-05-11

Jan Henderikse, a Dutch-American citizen, was born in the Dutch city of Delft in 1937. He left his hometown in 1959 for Düsseldorf, Germany and from there he moved to Curaçao in 1962. In 1968 he moved to New York and lived for a few years in the iconic Chelsea Hotel. He embraced New York as his new hometown while maintaining studios in Berlin and Antwerp.

Henderikse was well aware of the new developments in the New York art scene with which he immediately felt an affinity with. In 1962 the legendary Sidney Janis Gallery presented ‘The New Realists’, an exhibition with Andy Warhol, Roy Lichtenstein, Claes Oldenburg and George Segal in combination with their European ‘Nouveau Realisme’ counterparts Yves Klein, Jean Tinguley, Arman and Daniel Spoerri. Henderikse knew his European colleagues quite well, having exhibited with them in the early days. They all shared similar ideas and felt the same in creating and welcoming this ‘New Realisme’. For them, no more old-fashioned painting, but instead now facing New Reality.

Opposite – Fillon fllette ou Jeannette, 2019

Exhibition runs through to May 16th, 2020

Galerie Max Hetzler (Online exhibition)
Bleibtreustraße 45
10623 Berlin
Germany

www.maxhetzler.com

  

LINDA STARK

Posted on 2020-05-11

Spanning the last decade, this selection of Stark’s works on paper incorporates techniques such as piercing, kissing, and collage, and exemplifies her tendency to utilize the full physical potential of her materials. Each drawing or painting on paper, like her paintings on canvas, is the result of highly virtuosic techniques that often require long periods of time to execute. These pictures reflect personal experiences, visions, and sensations that give rise to iconic images. Each is like an amulet charged with devotional fervor.

Stark’s work is notable for the laser-like focus with which it is conceived and made, but she is unafraid of taking on themes with broad reach: the metaphysical and political ramifications of gender, the power of the female gaze and body, the roles played by animals in human lives and dreams, and the mythological and spiritual dimensions of the natural world. Her project, which has evolved over the course of four decades, represents not only a complete rethinking of how materials like paper and paint can function as physical substances, but the sustained elaboration of an entire worldview suffused with curiosity, mysticism, humor, and criticality.

Opposite – Spectacled Cobra Emoji, 2018

Exhibition runs through to June 3rd, 2020

David Kordansky Gallery (Frieze Viewing Room)
5130 W. Edgewood PL.
CA. 90019
Los Angeles

www.davidkordanskygallery.com