LEO AMINO – THE VISIBLE AND THE INVISIBLE
2020-07-27Taking its title from phenomenologist Maurice Merleau-Ponty’s eponymous 1964 book, The Visible and the Invisible will feature work from throughout Amino’s career, including sculptures made in synthetic resin, acrylic, wood, and wire. The works illustrate how Amino investigated transparency and the dynamics of perception, articulating space, light, and color through geometric and biomorphic sculptural form. The selection of “refractionals” on view speak to Amino’s unorthodox “minimalism,” which he understood not in terms of aesthetic polemic but in relation to his readings in phenomenology. As part of a practice of “phenomenological reduction,” a stripping away of received scientific and psychological assumptions, Amino deployed transparency in order to pose the question of the interdependency of subject and object through an optics of encounter, interpenetration, and absorption.
Opposite – Refractional #73, 1971
Exhibition runs through to July 31st, 2020
David Zwirner
537 West 20th Street
NY 10011
New York