WES LANG

Posted on 2020-11-02

Over the last several decades, artist Wes Lang has been honing his craft involving, amongst other things, a tireless, obsessive mining of a post-pop American landscape. A great many of the artist’s influences are a function of a distinct autobiographical experience with certain exceptions; the indigenous American as well as other totems of the American West, and painters and sculptors from middle of last century such as Twombly, Guston, Kline, Mitchell, Bacon dove-tailing on up to the more contemporary such as Basquiat, Kippenberger, and Mike Kelley. To date, Lang has made his mark primarily on canvas and paper, though his practice extends to include cast bronze sculpture, collage, hotel stationary, fabric, glass and precious metals, and is known for creating surfaces that sizzle; bombastic mélanges often brimming with elegantly rendered, still rough-around-the-edges imagery of grim reapers, Indian chiefs, fallen country music icons, sultry seductresses, long lost folk legends, dead authors, motorcycles, roses and other flora, birds, horses, all of which jockey for prominence within compositions sewn together (and resolved) by cryptic scrawls with a bittersweet vernacular resonate of Ram Dass and the Tao by way of the edge of the universe.

Opposite – My Mirage, 2020

Exhibition runs through to February 27th, 2021

Almine Rech
64 Rue de Turenne
75003 Paris

www.alminerech.com

  

MARY CORSE – VARIATIONS

Posted on 2020-11-02

While the exhibition serves as a timely reflection on our current period in history, with most of the works completed in 2020 in the artist’s studio in Topanga, Los Angeles, the show is also a marker of Corse’s practice to date, with these new works directly referencing different series developed throughout her career. In the presentation, the language that threads through all of the artist’s work can be viewed in variations through history, from the 1960s to 2020.

Opposite – Untitled (Double Cross), 2020

Exhibition runs through to November 7th, 2020

Lisson Gallery
27 Bell Street
NW1 5BY
London

www.lissongallery.com

  

BILLIE ZANGEWA – WINGS OF CHANGE

Posted on 2020-11-02

Wings of Change, is an exhibition featuring seven new silk works by Johannesburg-based artist Billie Zangewa. For her first exhibition with Lehmann Maupin and first in New York, Zangewa has created a body of work that explores the new reality of living and working in isolation during the Covid-19 pandemic. Best known for her intricate collages composed of hand-stitched fragments of raw silk, Zangewa creates figurative compositions that explore contemporary intersectional identity in an attempt to challenge the historical stereotype, objectification, and exploitation of the black female form. Wings of Change will feature new work that examines Zangewa’s personal experiences during the recent months of global lockdown, especially those of love, loss, and emotional transformation.

Opposite – Heart of the Home, 2020

Exhibition runs through to November 7th, 2020

Lehmann Maupin
501 W 24th Street
NY 10011
New York

www.lehmannmaupin.com

  

INSTRUCTIONS POUR COUPER LES FICELLES

Posted on 2020-10-26

The exhibition brings together four artists (Gayle Chong Kwan, Gaetano Cunsolo, Léonard Martin & João Vilhena) from different backgrounds whose practice often reveals what hides behind the artwork’s production, what is offstage.

In 1969 Julio Cortázar publishes the sequel of his “Instructions on How to Climb a Staircase”. In this text, he writes a guide to climb a staircase upside down. The nature of a user manual is treated in a parodic way following a series of disconcerting instructions.

Under the gaze of Cortázar’s instructions, each work could be a step to follow from a non-prescriptive and non-linear manual.
Once cut, the strings no longer connect the work and its author. It is with the action of the viewer that they catch their breath, that the scenery is rebuilt and moved by the thrill of new perspectives.

Opposite – Gaetano Cunsolo, Mets-la en sourdine #3, 2020

Exhibition runs through to December 5th, 2020

Galerie Alberta Pane
47 Rue de Montmorency
75003 Paris

www.albertapane.com

  

BOJAN SARCEVIC – L’EXTIME

Posted on 2020-10-26

Each marble block is scored with geometric cuts and hosts a functioning industrial freezer inserted into or placed atop of it. Like alien sarcophagi, the marble blocks in a deeply veined blue, green, or rose tone seem to engulf the machines. And where you might expect to find food preserved in them, a polar topography instead forms along the walls of the freezers with an abstract noise-composition resonating through the thick of frost and ice crystals.

Three slightly larger-than-life muscular figures surround and engage with the marble sculptures. Their distinct postures and carved stone heads create an eerie unison. Contrasting with their seemingly unbridled masculinity, the figures are draped in delicate silk blouses cut in characteristically 1980’s silhouettes, while shibari rope bondage dresses their hips and feet.

The title of the exhibition, L’Extime (extimacy), sets a stage. The term denotates how even our most intimate feelings can be strange and foreign to us. On view are forms becoming something other than themselves, whether mineralogical blocks ingesting machines of artificial refrigeration or morphing figures, caught in a transformational process of petrification, as if fossilized into a new hybrid humanoid species. The whole is a study in oppositions—at once hard and delicate, ice-cold and exuberantly sultry, machinic and bodily.

Opposite – Installation view

Exhibition runs through to February 27th, 2021

galerie frank elbaz
66 rue de Turenne
75003 Paris

www.galeriefrankelbaz.com

  

LYNDA BENGLIS – EARLY WORK 1967 – 1979

Posted on 2020-10-26

A major exhibition presented by Cheim & Read and Ortuzar Projects brings together work that proved crucial to the development of Lynda Benglis’s practice during her first decade in New York. Three concurrent exhibitions will be on view in Tribeca and the Upper East Side.

Lozenge-shaped wax paintings are juxtaposed with Benglis’s latex and polyurethane pours at Cheim & Read on 23 East 67th Street. One floor above, at the Ortuzar viewing room, is a selection of gilded wall sculptures inspired by the caryatids from the porch of the Erechtheion at the Acropolis in Athens. Sparkle and metallized knot sculptures, including the multi-part installation North, South, East, West, 1976, last shown in New York at a 1981 Whitney Museum exhibition, are on view at Ortuzar Projects on White Street in Tribeca.

Opposite – Installation view

Exhibition runs through to December 23rd, 2020

Cheim & Read
23 East 67th Street
10065
New York

www.cheimread.com