RAUL WALCH – UNFOLLOW

Posted on 2021-01-25

Much of Walch’s practice is set against nature or urbanity that finds itself in a critical stage of transition. Like most of the materials used by Walch in his practice, individual elements that make up the artworks are repurposed-every object has breathed in open air outside of the white cube in some way. As such, the show charts out a line between two environmental polarities-at sea level, a coal mining factory in Lausitz and, 3,800 meters above and farther south, the glaciers of South Tyrol. In a short looping film called No One to Follow, the artist plots his way across these two disparate places: one, a site of “excellent” nature and, at the other, a site of resource-extraction and overt destruction. While the glacier appears to exemplify natural beauty, the sun is beaming down; to protect it from melting, a thick wooly fleece is draped across kilometers of ice. This juxtaposition of, on the one hand, an unnatural state of preservation and, on the other, one of bustling destruction shows that any ideation about the natural and the unnatural is paradoxical. In all cases, nature finds itself in a state of human-induced entropy; Profitability connects them.

Opposite – Leave It Under Ground, 2020

Exhibition runs through to February 6th, 2021

Galerie EIGEN + ART
Auguststraße 26
10117 Berlin
Germany

eigen-art.com

  

.CH

Posted on 2021-01-25

The exhibition “.ch”, unites works by Ian Anüll, Pia Fries, Christian Lindow, Harald F. Müller, Christoph Rütimann, Albrecht Schnider and Rémy Zaugg. The artists have a personal connection to Zurich and Switzerland.

Opposite – Rémy Zaugg, LOOK/I AM/BLIND/LOOK., 1999

Exhibition runs through to March 27th, 2021

Mai 36 Galerie
Rämistrasse 37
CH-8001 Zürich
Switzerland

www.mai36.com

  

IN SITU

Posted on 2021-01-25

In Situ, is a group exhibition featuring new and recent paintings by thirteen artists: Cecily Brown, Olivia Erlanger, Barnaby Furnas, Jammie Holmes, Forrest Kirk, YoYo Lander, Maud Madsen, Chidinma Nnoli, Collins Obijiaku, Celeste Rapone, Lorna Robertson, Eleanor Swordy and Michaela Yearwood-Dan. Using Charlotte Perkins Gilman’s seminal 1892 text “The Yellow Wallpaper” as a point of departure, In Situ brings together paintings created throughout 2020 that offer reflections of life in isolation as necessitated by the current health crisis, private and still, yet restless and resolute.

Opposite – Forrest Kirk, Sands of Time, 2020

Exhibition runs through to February 6th, 2021

Marianne Boesky Gallery
507 West 24th Street
NY 10011
New York

marianneboeskygallery.com

  

DOUG AITKEN – FLAGS AND DEBRIS

Posted on 2021-01-18

Flags and Debris, an exhibition of new work by Los Angeles-based artist Doug Aitken. The works form an ecosystem of interconnected mediums, mixing dance, performance, film, sculpture, and handmade objects. Each plays off the other, creating a choreography of images, language, and sound.

The exhibition comprises all new work conceived in the last 10 months, a time of profound change in the face of the pandemic. The body of work reflects the tension collectively felt between our isolation from the physical landscape of the exterior world and newly created spaces for turning inward to explore the subconscious landscape. At heart, the works are a portrait of a society moving toward the future.

Opposite – Installation view

Exhibition runs through to March 13th, 2021

Regen Projects
6750 Santa Monica Boulevard
CA 90038
Los Angeles

www.regenprojects.com

  

MADELYNN GREEN – BIRTH OF A STAR

Posted on 2021-01-18

Madelynn Green shares a body of work that acts as a portal into the frequencies of what Black life and visuality can be. Green explores notions of stardom in relation to Blackness as central motifs from the Black imagination, the significance of the North Star during slavery, to the prevalence of stardom in contemporary music and culture. Green’s process refuses traditional conventions of painting; each work is built slowly from a black background. This body of work explores temporality, visuality, and materiality, in order to define how or where we might see the future.

Opposite – Protostar, 2020

Exhibition runs through to February 27th, 2021

Almine Rech
64 rue de Turenne
75003 Paris
France

www.alminerech.com

  

MARCUS JANSEN – POWER STRUCTURES

Posted on 2021-01-18

After serving eight years in the US military and getting a first-hand experience of some of the most devastating and crucial events of the 20th century, he went back to his genuine love for art and used it as a channel for his thoughts, worries, fears, and emotions. This complexity of influences directly impacts his creative output, which consists of compounded storytelling images constructed in an abstracted or surreal setting and filled in with familiar iconography. It’s the use of such iconography that functions as emotive anchors towards building an impassioned structure within which his paintings exist, speaking of themes of greed, war, surveillance, media culture, propaganda, and structures of power. By assembling his visuals from symbols that evoke certain emotions, the artist designs an ambiance that depends on the viewer’s focus, much like the real-life. “My work is always meant to challenge the intellect in an anti-intellectual climate we are in today by composing awkward compositions like a puzzle suitable for anyone viewing it from their life lens but forcing them to engage critically,” the artist explains the way his imagery is constructed. Such an experience is further accentuated by the masterful use of paint qualities and suggestive details that add to the storyline a sense of time passing by. Whether it’s simple tally marks on a wall, a ladder protruding over a barrier, or a runny egg, the images often go beyond freezing a moment and are instead telling a larger story using the vocabulary of painting.

Opposite – David and Goliath, 2020

Exhibition runs through to February 27th, 2021

Almine Rech
64 rue de Turenne
75003 Paris
France

www.alminerech.com