YAYOI KUSAMA – I WANT YOUR TEARS TO FLOW WITH THE WORDS I WROTE

Posted on 2021-06-28

Kusama’s work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures.

Opposite – I WHO DISCOVERED A DREAM OF LOVE, 2020

Exhibition runs through to August 6th, 2021

David Zwirner
525 West 19th Street
NY 10011
New York

www.davidzwirner.com

  

MATT JOHNSON

Posted on 2021-06-28

In his wood sculptures, Matt Johnson considers the expressive potential of consumer experience, articulating the formal qualities of a crumpled paper cup or a perfectly spiraled stack of National Geographic magazines with meticulous detail. Pairing quotidian subject matter with unexpected materials, Johnson’s true to scale sculptures act as playfully reverent monuments to the objects which populate our everyday lives.

Opposite – 3 Intersecting Books (Andy Goldsworthy, Animal Behavior, Leonardo da Vinci), 2020

Exhibition runs through to August 13th, 2021

303 Gallery
555 W 21st Street
NY 10011
New York

www.303gallery.com

  

SILENCE=DEATH – MORE LIFE

Posted on 2021-06-28

In June 1981, the US Centers for Disease Control first reported what would eventually be known as AIDS. Marking the fortieth anniversary of this report, this series of curated solo exhibitions highlights a selection of artists—Ching Ho Cheng, Derek Jarman, Frank Moore, Mark Morrisroe, Jesse Murry, Marlon Riggs, Silence=Death collective, and Hugh Steers—whose lives were cut short by HIV/AIDS-related complications during approximately the first twenty years of the epidemic.

This series explores the affective, aesthetic, personal, and political responses to the crisis. As new HIV infections continue to impact nearly 1.7 million individuals annually around the world, we present a focused look—through exhibitions, roundtable discussions, and a selective timeline—at some of the artists who were affected at the beginning of the ongoing crisis, and who are often neglected in broader art-historical and cultural narratives.

Opposite – AIDSGATE, 1987

Exhibition runs through to August 3rd, 2021

David Zwirner
525 West 19th Street
NY 10011
New York

www.davidzwirner.com

  

MIKA ROTTENBERG

Posted on 2021-06-21

Considered one of the most significant figures working in the video medium today, Argentina-born and New York-based artist Mika Rottenberg is devoted to a rigorous practice that combines film, installation, and sculpture. Exploring ideas of labour and the production of value in our contemporary hyper-capitalist world, Rottenberg shrewdly blends factual documentation and studio-built fiction to reveal the hidden dynamism of everyday systems and economies. For the artist’s first exhibition at Hauser & Wirth, Rottenberg’s most recent and acclaimed video work, ‘Spaghetti Blockchain’ (2019), which debuted at New Museum in New York, will be on view at the Zurich gallery. In addition, Rottenberg will show for the first time three kinetic sculptures and new drawings made in the last year, which will be shown alongside video work ‘Sneeze’ (2012) and mechanical sculptures ‘Finger’ (2019) and ‘Ponytail (Gray)’ (2019).

Opposite – Spaghetti Blockchain, 2019


Exhibition runs through to August 27th, 2021

Hauser & Wirth
Limmatstrasse 270
8005 Zürich
Switzerland

www.hauserwirth.com

  

THOMAS DOWNING – PAINTINGS

Posted on 2021-06-21

Downing was one of the most preeminent artists of the Washington Color Field Movement, along with Kenneth Noland, Morris Louis, Howard Mehring (with whom he shared a studio), and Sam Gilliam, among others. He is known for his use of dots, a motif that he used in his work throughout the 1960s and 70s in different series, such as the Rings and Dials (Untitled, c. 1964 below). As with other members of the Washington Color Field School, Downing’s painting technique consisted of letting the paint be absorbed by the by unprimed canvas, as, in his own words, “There is no better way to get full benefit of the resonating depth of a color than by saturating a piece of cloth with it. Any color which is soaked into fabric will be much more luminous than if it is painted on top of the fabric.” He also worked with shaped canvases (Untitled, 1959 is included in the exhibition) earlier in his career and again in the 1970s, in which he kept exploring with color, this time fully painting the canvas to the edge, giving the impression of an expanding, open space.

Opposite – Untitled, c. 1964

Exhibition runs through to September 10th, 2021

Mignoni
960 Madison Avenue, Second Floor
NY 10021
New York

www.mignoniart.com

  

CHANTAL JOFFE – STORY

Posted on 2021-06-21

Joffe’s paintings of the artist’s mother, Daryll, are part of an ongoing series that the artist began some three decades ago. These new works, some painted from family photographs, others from life, range back and forth in time. There are depictions of Joffe and her siblings with their mother as children – on a sofa, on a train, on holiday, as newborns and, in the case of Train to Vermont, which shows Daryll pregnant with Chantal, as not-yet-born. As Joffe explains, ‘I suddenly thought, but nobody in their seventies is just that – they’re not just an older person who’s lonely, or isolated, or has health issues… Everybody is the whole life that went before that. So, I started looking at all our family photos and thinking about my mum and all the things she’d done in her life and how she seemed to me when I was a child…’

The Story of the exhibition title refers to a painting depicting the artist and her two older sisters as children in the early 1970s, snuggled up on a sofa with their mother as they share a bedtime story. In the accompanying publication, Olivia Laing writes, ‘What’s remarkable about Joffe’s picture is that she’s managed to plug into a universal current, to capture and convey not just her own childhood, but mine and perhaps yours too.’

Opposite – Me, Em and Nat, 2020

Exhibition runs through to July 31st, 2021

Victoria Miro
16 Wharf Road
N1 7RW
London

www.victoria-miro.com