SAM FALLS – SOMEWHERE TO GO

Posted on 2011-05-16

This exhibition, titled Somewhere to Go, presents three different series of work based on his interest in aesthetic trends in photography and their relation- ship to modernism/minimalism in painting and sculpture.

With one set of images, which Falls refers to as “construction paper fades,” the artist experiments with analog photo- graphic processes that abandon traditional materials and methods. He uses colored construction paper, which he masks out certain areas of, then exposes it to direct sunlight. The portions of paper that have been covered (with abstract or geometric shapes) retain the original, saturated color of the paper, while the negative areas become faded – gradated, as the sun’s intensity changes from traveling east to west.
Moving away from paper entirely, Falls then turned to fabric. With this work, the artist hand-dyed large pieces of material, with grommets placed in the corners, which he then staked in a canyon outside of Los Angeles with two-by-four foot lengths of wood laid down the center. By leaving the fabric outside for a period of time, exposing them to the elements of wind, sun, sleet, and rain, the material (outside of where the wood covered it) tells a story of a specific place and time through its faded color and frayed edges.

Opposite – Untitled (Pink, Val Verde, CA), 2011, Hand-dyed cotton fabric and metal grommets

Exhibition runs through to June 11th, 2011

OHWOW Los Angeles
937 N. La Cienega Blvd
Los Angeles
CA
90069

oh-wow.com

  

DIANN BAUER

Posted on 2011-05-16

Diann Bauer turns the rhetorical excess of extreme-cum-mainstream contemporary political discourse back on itself. Using wall painting and a series of near illegible political signs and posters, Bauer ramps up the apocalyptic hysteria of right-wing libertarian movements whilst simultaneously laying-bare their proximity to left-wing traditions of protest.

The works accelerate the logic of spectacle driven politics to their maxed-out conclusion. Layering slogans from both the left and the right, Sarah Palin to The Red Army Faction, US Republican Congressmen to The Unabomber to The Invisible Committee; interlacing text and image, one sees the very principles of Western society being torn apart and mashed up, used and abused, regardless of their political thrust.

Opposite – Mama Grizzly, 2011

Exhibition runs through to June 18th, 2011

Paradise Row Gallery
74 Newman Street
London
W1T 3EL

www.paradiserow.com

  

ART IN THE STREETS

Posted on 2011-05-09

Art in the Streets is the first major U.S. museum survey of graffiti and street art. Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.The exhibition will feature paintings, mixed media sculptures, and interactive installations by 50 of the most dynamic artists and will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to seminal local movements such as cholo graffiti and Dogtown skateboard culture. A comprehensive timeline illustrated with artwork, photos, video, and ephemera will provide a historical context for the work.

Opposite – Chaz running in a backstreet near Whittier Blvd in East Los Angeles, 1974, Gusmano Cesaretti

Exhibition runs through to August 8th, 2011

The Geffen Contemporary at MOCA
152 North Central Avenue
Los Angeles
CA
90012

www.moca.org

  

STEVE TOBIN : STEELROOTS

Posted on 2011-05-09

Steve Tobin’s sculptures are a dramatic fusion of nature and art. Set among the Arboretum’s glowing gardens and peaceful groves, they invite you to touch, stroll through or even lie down beneath them, to discover your own unique views of the land around you, views that change with the light and the seasons.

Steve Tobin gained international acclaim in 2004 with the dramatic installation of the Trinity Root sculpture near Ground Zero in Lower Manhattan, the first and only art memorial near the 9/11 disaster site. The sculpture is a bronze casting of the stump and roots of the historic sycamore tree that saved St. Paul’s Chapel during the attack on the World Trade Center. The transcendent sculpture is permanently sited on the corner of Wall Street and Broadway where millions of visitors see it each year.

Exhibition runs through to January 31st, 2012

University of Minnesota Landscape Arboretum
3675 Arboretum Drive
Chaska
MN
55318

www.arboretum.umn

  

TRACEY EMIN AT LOUIS VUITTON MASION

Posted on 2011-05-09

For her first major solo art exhibition, Tracey Emin has teamed up with Louis Vuitton. The fashion house has announced an exhibition of new work by the celebrated British artist at the Louis Vuitton New Bond Street Maison Exhibition Space. Coinciding with the opening of Love is What You Want at the Hayward Gallery, Southbank Centre (opening 18th May), the exhibition at the New Bond Street Maison will feature a new neon piece bearing the same title as the Hayward show: Love is What you Want, as well as several limited edition art works, including one made exclusively for Louis Vuitton. There are 50 hand-rolled, hand-stitched silk scarves entitled Sex 21 Sydney (2011), each signed and numbered by the artist.

Opposite – Sex 21 Sydney, hand-stitched silk scarf, 1 of 50.

Louis Vuitton
160 New Bond Street
Mayfair
London
W1S 2UE

www.louisvuitton.com

  

PAUL MCCARTHY : SELECTED WORKS

Posted on 2011-05-02

Paul McCarthy’s career, spanning over forty years of production, can at once be summarized as chaotic, grotesque, and provocative. His work stems from an adolescence in American popular culture saturated with corn syrup, ketchup, and coca cola, childrens’ toys and Disney – materials and references which act as sweetened and cheapened metaphors for the very most basic elements of human life: sweat, blood, sex, desire, feces.

McCarthy’s world -as represented through his work- is cruel and euphoric but oddly familiar, often taking the form of a skewed allegory or fairytale (Pinocchio or Heidi, for example). His adaptations of these stories methodically predict human excess, spilling proverbial guts and blood to cut to the quick of human tendencies universally recognized but hardly spoken of. Throughout, an insistent question of the role of the artist is posed. Rejecting the idea of artist as mystic, McCarthy plays the parody, repeating and re-interpreting the images he grew up with by approaching their limits.

Opposite – Silver Santa, 2007

Exhibition runs through to October 2nd, 2011

Charles Riva Collection
Rue de la Concorde 21
1050 Ixelles
Belgium

www.charlesrivacollection.com