LARISSA BATES – SNAP AND GO

Posted on 2011-05-30

In her paintings a repeating cast of characters play out psychological dramas connected to families, care giving, and power. Investigation of gender roles is a central theme in these works, with a particular emphasis on social constructions of masculinity. The main protagonist of the narrative is the Mother Man character, depicted as a wrestler who embodies qualities that are very nurturing in addition to being athletic, heroic and noble. The Mother Men strive for pacifism, and often engage in wrestling with one another.

The topic of colonialism is another theme central to the paintings. Chiquita Banana Girls, who appear of the in her work, are seen carrying fruit through the landscapes. Bates is the great-granddaughter of George P. Chittenden, who was the vice president of the United Fruit Company, which controlled the banana trade in Costa Rica, from 1925 to 1932. The United Fruit Company brought schools, railroads, and industry to Costa Rica. But under complex circumstances. They implemented institutionalized racism, as workers of color were banned from the company. UFC was notorious for abusive labor practices and exploitation of the Costa Rican citizens and their land rights. As a descendant of both the colonized and the colonizers, Bates’ paintings explore the interdependence of these two groups.

Opposite – Dobbs Ferry Ladies Watching Children with Bats, 2011

Exhibition runs through to July 22nd, 2011

Galería Espacio Mínimo
Doctor Fourquet 17 & 24
28012
Madrid
Spain

www.espaciominimo.net

  

JOHAN CRETEN – PLINY’S SORROW

Posted on 2011-05-30

Pliny’s Sorrow is comprised of nine enigmatic bronzes, eight of which were specifically created for the exhibition. Creten, best known for virtuosic works in kiln-fired ceramics, particularly his flowering Odore di Femmina busts in terracotta, is also a master of lost-wax foundry casting in bronze, and this ambitious exhibition provides evidence of this on an unprecedented scale.The exhibition’s title is borrowed from the largest work in the exhibition, an eagle-like bird, its giant wings stretched out and broken, its roughly hewn back hollowed out.

Opposite – Pliny’s Sorrow, Resin, bronze simulation, 2011

Exhibition runs through to July 23th, 2011

Almine Rech Gallery
20 rue de l’Abbaye
Abdijstraat
B-1050
Brussels

www.alminerech.com

  

ABSOLUT 365 DAYS – 5 DAYS LA ROMA

Posted on 2011-05-30

5 Days La Roma explores one of the current global creative hotspots – Mexico City and its art scene. Starting on May 24, the vibrant La Roma neighborhood will see a series of art initiatives during a five-day event including globally-acclaimed artists Rirkrit Tiravanija, Miguel Calderon, Mario Garcia Torres, Laureana Toledo, Sam Samore, and Carl Michael von Hausswolff – all presenting new works especially created for 5 Days La Roma.

The event in Mexico City is curated by Thomas Nordanstad within 365 Days – a continuous initiative where ABSOLUT explores creativity in places all over the world. The films that will be presented during 5 Days La Roma are the result of 365 Days curator Thomas Nordanstad getting in touch with the selected artists. He has given them the possibility to create
and present films and images together in a place where the art scene is currently at a peak. La Roma (Colonia Roma) in Mexico City offers galleries, institutions, architecture and people, that together have created an area that oozes creativity.
“Through 365 Days, we want to explore creativity in places where it flows, together with the people that make it happen”, says Thomas Nordanstad, curator of 365 Days. “We chose Mexico City and La Roma because it’s a place where creativity is at the edge of contemporary culture. You can really feel it.”

Opposite – Miguel Calderon

www.absolut365days.com

  

TRACEY EMIN: LOVE IS WHAT YOU WANT

Posted on 2011-05-23

This is first major survey in London of the work of one of the UK’s most renowned and celebrated artists. The exhibition features key works from all periods of the artist’s career, including seldom-seen early works and more recent large-scale installations as well as a new series of outdoor sculptures created especially for the Hayward.

Some of the Highlights include, a series of 16 neon art works which illuminate emotions, memories, feelings and ideas, including a new heart-shaped neon Love is What You Want (2011) are displayed along a darkened wall evoking the atmospheric nightlife of bars, clubs and amusement arcades. The ashes of The Shop, the enterprise that Emin and Sarah Lucas set up together in the East End in 1993. For six months they made and sold their own merchandise. When The Shop closed Emin burnt its remaining contents so it could never be recreated and Running Naked (2000/2011) – a new photographic work which shows the artist running naked down an East London street, reworked from a film shot originally by her ex-boyfriend the artist Mat Collishaw in 2000.

Exhibition runs through to August 29th, 2011

Hayward Gallery
Belvedere Road
London
SE1 8XX

www.southbankcentre.co.uk

  

DOMESTIC GOODS

Posted on 2011-05-23

“Domestic Goods,” is a group show organized by Ryan Wallace.
Mr. Wallace, a New York City artist who has been a Pollock-Krasner Foundation grant recipient, has included 27 contemporary artists in this show that addresses both the external and internal notions of domesticity: memory, family, comfort, or material surroundings. The artists are mostly culled from the neighborhoods of New York where emerging artists today make their home, such as Bushwick, Brooklyn.

Opposite – Andrew Kuo, Flower Face 4, 2011

Exhibition runs through to June 28th, 2011

4425 North Campbell Ave
Tucson
Arizona
85718
USA

www.ericfirestonegallery.com

  

ANISH KAPOOR – LEVIATHAN

Posted on 2011-05-16

Famed for his critically acclaimed Cloud Gate in Chicago and Sky Mirror in New York, Kapoor is the fourth artist to be invited by the Grand Palais to create the annual Monumenta exhibition in its vast, glass-roofed central nave.
Inside Leviathan, the viewer is invited to take part in a physical and mental experience, a sensory immersion in a translucent membrane designed to interact with the architecture of the building in which it is housed.
The red glow is created by daylight flooding from the nave’s glass roof and through the sculpture’s tent-like walls, and its intensity, as well as the temperature in the cavity, vary as clouds pass over the sun.
From the outside, however, Leviathan offers a completely different experience, a feeling of awe at the overwhelming scale of the bulbous, rubber-like sculpture, which stands 35 meters (yards) high and fills the entire 35,000 sq meters (376,700 sq ft) of the nave.

Exhibition runs through to June 23rd, 2011

The Grand Palais
Nave of the Grand Palais
Avenue Winston-Churchill
75008
Paris
France

www.grandpalais.fr