SKATE IT OR HANG IT? EVOLUTION OF SKATEBOARD ART

Posted on 2012-05-14

The exhibition, curated by W. Todd Vaught, will examine the visual aspects skateboarding, a sport important to contemporary youth culture since the 1970s, by presenting a broad range of styles, imagery, and visual expression in skateboard art.
With a broad focus on skateboard graphics, in particular the styles and methods used to embellish skateboard decks, the exhibition will appeal to a broad range of skateboarders, designers, artists and to Atlanta’s youth in general.

Exhibition runs from June 16th to September 16th, 2012

Museum of Design Atlanta
1315 Peachtree Street
Atlanta
GA
30309
USA

www.museumofdesign.org

  

VERSUS – JAMIE BALDRIDGE AND BERNHARD BUHMANN

Posted on 2012-05-14

It’s the golden age of struggle: occupy everything; lex talionis; welcoming to the jungle. Acceleration and demise go hand in hand; the hamster’s wheel leaves no room for imagination and introspection.
This is what we need and this is what they do. Baldridge’s meticulously composed images assembled from hundreds of digital photographs. “Existing in a state of quivering dementia, swirling somewhere in a sparkling electric reservoir, waiting to be brought into the light of day”, the very personal darkroom of one’s unconscious abyss.

Buhmann’s magnum opus sucks the viewer directly into a narration, full of marvel and wonder, a parallel universe, an alternative reality, full of buskers and jesters, where rivers flow upstream and clocks go backwards, the irrational, the unexplainable. A place “where not only time is out of joint”.

Baldridge’s and Buhmann’s contemplative, at first glance almost unearthly approach to their respective media is very investigative, in subject and form alike. Their struggle is universal, their matters ubiquitous; the artist as the alchemist or the artist as a prophet.

Baldridge and Buhmann oeuvres are deeply rooted within art history. Hieronymus Bosch, as a very early example, where overall composition and detail are in constant dialogue, not only reflecting world views and belief systems, but deconstructing and reconstructing the semantics themselves. Inner urge as their impulse, friction as their motif. Fighting against, fighting with, fighting for. This is VERSUS.

Opposite – Heldenplatz, Bernhard Buhmann, 2011

Exhibition runs through to June 15th, 2012

Carbon 12
A1 Quoz 1, Street 8, Alserkal Avenue
Warehouse D37
P.O. Box 214437
Dubai
United Arab Emirate

www.carbon12dubai.com

  

FIONA RAE

Posted on 2012-05-07

In 2004, when Rae visited Tokyo and reconnected with visual aspects of her peripatetic childhood in Asia, her lexicon further broadened to include small figures or cartoons whose status is left intriguingly ambiguous. Like Caspar David Friedrich’s human presences in an overwhelming landscape, they serve to point up the metaphysical and artificial dimensions of abstract painting, whilst also providing an empathetic point of identification for the viewer that invokes a more personal reading.

In using elements that might be considered girlish or otherwise unserious, Fiona Rae looks to re-examine their meaning and expressive possibilities from what could be seen as a feminist perspective. In more recent paintings, these ludicrous yet gnomic images might be thrust into passages of expressive brushwork, layered and dense, or caught in black calligraphic drawing inspired by Dürer’s Apocalypse woodcuts, to produce dramatic and emotive compositions. Her recent titles often purport to be exclamations or statements, but like her paintings, they elude definitive explanation and can appear simultaneously dark and charming, anxious and insouciant.

Opposite – Angel, 2000

Exhibition runs through to August 26th, 2012

Leeds Art Gallery
The Headrow
Leeds
LS1 3AA

www.leeds.gov.uk

  

CHRISTOPHER HANLON – DISSEMINATUS

Posted on 2012-05-07

In common with the Fairy Inkap Coprinus Disseminatus (a subject to which Hanlon has returned at regular intervals in his paintings) the artist’s preferred support is organic matter – most usually linen stretched over wooden board – which has served a previous function and is found in a state of disuse, now ready to provide the breeding ground for a new and unfamiliar lifeform.

Mushrooms are essential – without them ground is not fertile and plants don’t grow. Mushrooms are ephemeral – some species even grow over night silently and unseen only to disappear the next day in the rain. The Fairy Inkcap Coprinus Disseminatus, sometimes called the Trouping Inkcap or Trooping Crumble Cap, is a species that forms dense masses on rotting tree stumps and roots. These gregarious little fungi occur from early spring until the onset of winter, and they are at their most spectacular when the caps are young and pale – sometimes nearly pure white. It takes just two or three days for young white caps to turn grey and then begin blackening. Dessiminati will then scatter and broadcast their spores as delicately, mysteriously and as widely as possible, spreading spores almost like a rumour which gets more and more distorted as it circulates until its origin becomes unknowable and untraceable.

Opposite – Back, 2012

Exhibition runs through to June 2nd, 2012

Domobaal
3 John Street
London
WC1N 2ES

www.domobaal.com

  

INNES, MELLER, MUNDT, ZANDVLIET, ZAUGG

Posted on 2012-05-07

What is painting supposed to mean when it will not serve as artistic tool to create fanciful imagery, how can artists use painting as a media to create new artistic ideas, how does painting become investigative to perception?
Five artist and five different artistic positions give answers, each in his way to these questions: demanding, ambivalent, radical, provocative.

Callum Innes, born 1962 in Edinburgh, Scotland, lives and works in Edinburgh. Wilhelm Mundt, born 1959 in Grevenbroich, Germany, lives and works in Cologne. Ingo Meller, born 1955 in Cologne, lives and works in Berlin. Robert Zandvliet, born 1970 Terband, The Netherlands, lives and works in Rotterdam. Rémy Zaugg, born 1943 in Courgenay, Switzerland, died 2005 in Basel

Opposite – Ingo Meller, 2010/07

Exhibition runs through to July 28th, 2012

Bernhard Knaus Fine Art
Niddastrasse 84, 1st Floor
60329 Frankfurt
Germany

www.bernhardknaus-art.de

  

MARIUS BERCEA – CONCRETE GARDENS

Posted on 2012-04-30

Bercea belongs to the generation of Romanians who grew up under Ceausescu’s regime, and saw their country’s rapid transformation after the dissolution of the Communist Bloc. In some of his earlier paintings, the artist tackled real and imagined childhood recollections: the formulaic school photographs, games, and picnics of faceless kids, wrapped in the yellowish, noxious air that hung over Eastern Europe after Chernobyl’s nuclear disaster.With this new series, described by the artist as a “collective urban portrait,” Bercea deals with what happened immediately after 1989, with the arrival of Western capitalism; neon slowly taking over the cityscape, its fluorescent hues slapped on the decaying concrete, the shifting sense of what is normal, what should be aspired to, and how it could, or should, be obtained. Although it eschews direct narratives, Imperfect Pearls Shimmer at Dusk evinces a sense of being in flux. Advertising blurs progressively emerge from the brushstrokes’ rich interlays; Romania’s transition is happening on the canvas under our eyes.

Opposite – Imperfect Pearls Shimmer at Dusk, 2012

Exhibition runs through to May 26th, 2012

François Ghebaly Gallery
2600 La Cienega Blvd
Los Angeles
CA 90034

ghebaly.com