TORSTEN SLAMA – LE RESTE PARFAIT

Posted on 2015-04-27

Slama suspends the rules of physics in favor of his poetic imagination. In Slama’s world, floating geometric shapes can effortlessly co-exist with modernist architecture and sci-fi landscapes. His subjects are consistently architectural and mechanical, and noticeable absent of humans. Is this a utopic world better off without humans, or more unsettling, is this a post-apocalyptic world erased of humanity? One is never quite sure.

Opposite – Torsten Slama, Second Order Christian Worship Centre, 2013

Exhibition runs through to May 31st, 2015

Marc Jancou
63 Rue Des Bains
1205 Geneva
Switzerland

www.marcjancou.com

  

ANDREW GBUR

Posted on 2015-04-27

The artist employs a dramatically reduced visual vocabulary to evoke in crude but instantly recognizable terms the human visage. Form remains consistent throughout the body of work: a crescent indicates a smiling mouth, a rough triangle stands for the nose, and two almond-shapes suggest eyes. Each element is rendered in an opaque coat of vivid pastel, the portraits limited to just a few shades of color. Rather than evincing sweetness or warmth, the simplicity, symbolized smile and warm, beautiful palette carry a sinister quality; more jack-o-lantern than smiley face, the portraits explore the potential for misleading and deception inherent in visual signage.

The facial features float in unpainted white, offset by jagged blocks of color on either side. This blank field, upon close inspection, seems to indicate the head – however its vacuousness is more striking than any representational characteristic. The colored blocks end geometrically before the canvas’ edge, allowing the virginal emptiness to bleed to the edge and form a border around the image. Gbur’s destabilizing treatment of negative and positive space further explicates a non-mimetic relationship to their supposed subject matter: the pictorial template serves as fluid iconography, semantically voided, bolstering the painting’s surface.

These works pay clear tribute to Warhol’s screen-printed portraits, envisaging their underpaintings with the surface layers of detail stripped away. The eerie perfection of formal repetition, subtlety of coloristic variation and austerity of the material application endow them with an estranged, almost mechanical quality. The resultant pictures are halfway between Henri Matisse and Blinky Palermo. In spite of their child-like rendering and seemingly innocuous, familiar subject matter, the paintings read as alienating and vaguely impenetrable, corrupted pictographs charged with a kind of lecherous hunger. Confronted with these faces, one cannot help but wonder: what’s in a smile?

Opposite – Untitled, 2015

Exhibition runs through to May 31st, 2015

Team (bungalow)
306 Windward Avenue
Venice
Los Angeles
CA 90291

www.teamgal.com

  

TRACEY EMIN – EGON SCHIELE

Posted on 2015-04-27

The Leopold Museum will present the first comprehensive exhibition in Vienna featuring more than 80 works by the British artist Tracey Emin (born in 1963), a leading figure of the “Young British Artists”. Tracey Emin, a superstar and enfant terrible of contemporary art, will engage in a fascinating artistic dialogue, as she will not only present her own works but will also incorporate a personal selection of drawings by Egon Schiele into the exhibition. This exploration of the Austrian Expressionist’s oeuvre allows Tracey Emin to venture into unchartered territory with her art and to draw interesting parallels.

Tracey Emin’s pictorial language is direct and trenchant. Her art is an art of exposure and her own biography provides her with an inexhaustible source of inspiration. Her titles form an integral part of her works and speak of unrequited love, suffering, longing and desire.

The exhibition at the Leopold Museum affords insights into the various techniques and materials used by Tracey Emin and features acrylic paintings, gouaches and videos, installations made from neon lamps, wood, metal and textiles as well as photographs and bronze sculptures.

In her candid and sometimes sharp-tongued oeuvre, which is shaped both by tragedy and humor, Tracey Emin lays bare her own hopes, humiliations, failures and successes.

The themes of provocation and sexuality repeatedly surface in Tracey Emin’s work, as her oeuvre is firmly rooted in the tradition of feminist discourse.

Opposite – Humiliated, 2013

Exhibition runs through to September 14th, 2015

Leopold Museum
MuseumsQuartier
Museumsplatz 1
1070 Vienna
Austria

www.leopoldmuseum.org

  

TOMOO GOKITA – BÉSAME MUCHO

Posted on 2015-04-20

On view will be new works by Tokyo-based Tomoo Gokita, who is acclaimed for his black and white gouache canvases that incorporate exceptional draftsmanship with surreal imagery. Gokita continues his monochromatic series that explores the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and classic film stills. With a celebrated career in illustration and graphic design, Gokita first rose to prominence after creating a series of newsprint books. In 2005, he turned to painting, developing a distinctive greyscale aesthetic that combines deft tonal modeling of figures with a material flatness, both alluding to and obscuring characters appropriated from western popular culture and marginal countercultural sources. Alongside Gokita’s intimate portraits of individuals, this exhibition will feature large-scale group compositions that are an evolution in the artist’s oeuvre.

Gokita places his subjects in ambiguous picture planes that recall the photographic source while also reinforcing the works’ status as painting. Mixing a range of twentieth century art historical references, Gokita distorts his subjects’ bodies and obfuscates their faces, blurring them with gradients and shapes. Hands become aberrant and outsize, and eyes are replaced with tiny dots.

Opposite – How to Marry a Millionaire, 2015

Exhibition runs through to May 16th, 2015

Honor Fraser Gallery
2622 S La Cienega Blvd
Los Angeles
CA 90034

www.honorfraser.com

  

CHRIS LEVINE – GEOMETRY OF TRUTH

Posted on 2015-04-20

‘The Geometry of Truth’ represents the latest chapter in Levine’s exploration into the nature of light and perception; using technology and light to communicate natural geometries and draw people towards stillness.
The synchronicity of the universe is determined by certain mathematical constants which express themselves in the form of ‘patterns’ and ‘cycles’ in nature. Pure geometry transcends everything; impulses and patterns found in nature and the brain also exist in the technology we have created, and Levine’s work asks some fundamental questions about how we view art and examine life.
He has worked extensively with laser light, exploring its capacity to produce both illusions and elicit a subliminal response in the viewer. He has pioneered new mediums such as holograms, light boxes and lenticular lenses and has created and coined the name for new mechanisms such as laser pods and blipverts (peripheral vision light pieces). Levine’s innovative use of these technologies has brought to this field a fresh sensibility, making him a leading player in the field of light art.

For his new series, ‘The Geometry of Truth’ Levine has turned his attention inwards to the purity of form:

“if numbers are the purest form of thought as Plato states, then geometry is a translation of this purity into visual form. Sacred geometry has inspired artists for millennia. From Nano through to celestial, nature unfolds and life as we know it adheres to principles of divine order and sacred geometry.” – Chris Levine

Exhibition runs from April 24th to May 23rd, 2015

The Fine Art Society Contemporary
148 New Bond Street
London
W1S 2JT

www.faslondon.com

  

TODD JAMES / REAS – FANTASY ISLAND

Posted on 2015-04-20

Fantasy Island, is the new hyper-coloured solo exhibition by New York-based artist Todd James / REAS.
The provocative showcase features a striking cast of modern-day Somali pirates, UN soldiers and scantily clad females that have become synonymous with James’ work. The seamless mix of luminous compositions and graffiti-infused erotica extends the artist’s exploration into current socio-political affairs, continuing to stretch the boundary between the obscene and the humorous.

Alongside the gallery exhibition James is set to install a Chevrolet van on Rathbone Place, developing ideas first initiated in the artist’s Vandals Bedroom, featured at LA MOCA and Lazarides’ World Domination. The van will draw on fantasy art influences from the analogue age of his youth alongside a customised cluster of all-American 1970’s ephemera. The Fantasy Island Chevy will play host to the exclusive release of Beyond The Gates, James’ most recent 32-page full colour book available to purchase on the opening night.

Exhibition runs from May 1st to May 28th, 2015

Lazarides Rathbone
11 Rathbone Place
London
W1T 1HR

www.lazinc.com