MARGARET RASPE – FRAUTOMAT

Posted on 2019-07-01

A number of mid-sized format works that were created in the context of the simultaneously issued photo book and which draw upon the artist’s three-month stay in India are on show. The motifs collected on the journey are fragmentarily dissolved from their actual narrative and are subjected to a very intimate creative process on the basis of her artistic repertoire. It is experimentation with the original subject of the picture and its photographic quality conceptually mixed with classical lithographic printing techniques. As in previous series such as Tehran North from 2015, Shahbazi is interested in how a journey and the encounters experienced can be perceived photographically without them being externally determined by the visual power of the culturally charged and often very overwhelming colourfulness of the locations. It is the making of collages without physical intervention: the snapshots, which often show anonymous individual people in architectonic space or in a landscape, are taken apart and reshaped, their colour taken out of them or reconfigured like a reset.

Opposite – Automatic Drawing 6, 1976

Exhibition runs through to August 9th, 2019

Amanda Wilkinson
1st Floor, 18 Brewer Street
W1F 0SH
London

amandawilkinsongallery.com

  

RYAN GANDER – I SEE YOU’RE MAKING PROGRESS

Posted on 2019-06-24

The exhibition’s title ‘I see you’re making progress’ reflects Gander’s constantly evolving practice and career trajectory, while the works also display this evolutionary process – from the confines of the artist’s mind and studio, towards the boundless possibilities to learn and develop from the outside world.
A new work from 2019, View from the studio window (8th November 2017), depicts a hazy view of the world outside his workspace as it transitions from day to night throughout a 24-hour cycle. The animated screens behind the frosted glass approximate the exact light conditions and changing weather of that time and place – not to mention the gently swaying silhouettes of trees and the shadow of a chain link fence – all now transposed, seemingly impossibly, to an interior-facing gallery wall in Shanghai. Another windowpane appears in this show, this time one that has been white-washed and smashed, obscuring a hidden artwork never to be revealed, while also creating a new visceral abstract composition through the use of haphazard duct-taping.

Opposite – A Moving Object, or Triple bottom line, 2017

Exhibition runs through to August 31st, 2019

Lisson Gallery
2/F, 27 Huqiu Road
Huangpu District
200002 Shanghai
China

www.lissongallery.com

  

MEL ZIEGLER – ACTIVATED ARTIFACTS

Posted on 2019-06-24

For this exhibition, Ziegler presents a new work entitled Hooks, taken from a larger series called 10×10’s. Consisting of a geometric grid of vintage and antique hat hooks, viewers are encouraged to leave their own hats thus transforming the work from its original form. The piece bears many hallmarks of Ziegler’s practice such as an encyclopedic approach to collecting, participatory elements, and a deep reverence for socially imprinted antique artifacts. Additionally, it references Ziegler’s pervading interest in seriality, a quality often attributed to minimal art of the 20th Century, and a distinct influence during the genesis of both his and Ericson’s work.

Opposite – Installation view of 1000 Portraits, 2018

Exhibition runs through to August 16th, 2019

Perrotin
130 Orchard Street
NY 10002
New York

www.perrotin.com

  

CLAUDIA COMTE – BUNNIES AND ZIGZAG

Posted on 2019-06-24

Bunnies and ZigZag presents new sculptural work and a monochromatic vinyl wall painting that snakes through the gallery. Comte’s work draws together
architecture, design, nature and popular culture through motifs and patterns that morph in space. The exhibition foregrounds the artist’s fascination with mutating forms that oscillate between the material and the digital. As a starting point for her work, Comte often begins with wood sourced from sustainable forests in her hometown of Grancy, Morges. Her hand-carved sculptures retain the marks and inflections of her signature tool – the chainsaw – one not known for its precision, but rather for its expediency and force. This approach links Comte’s work to her wider interests in forest ecology and biodiversity, which she evokes through play, connection and touch.

Opposite – Installation view

Exhibition runs through to June 29th, 2019

Galerie Joy de Rouvre
2, rue des Vieux Grenadiers
1205 Geneva
Switzerland

www.galeriejoyderouvre.ch

  

JEAN-MARIE APPRIOU

Posted on 2019-06-17

Appriou’s sculptures appear archaic, evoking mythology and forms of primitive art, while crafted from the very contemporary material of aluminum.

On this occasion, four cast aluminum Cypress trees will be placed on Galerie Eva Presenhuber’s roof terrace, creating an open-air installation overlooking the city of Zurich. Appriou’s work often refers to the Symbolists, and here he is referencing Arnold Böcklin’s Isle of the Dead. Cypress trees carry the weight of the space between life and death, earth and sky. Their silhouettes are as gracious as they are haunting.

Opposite – Installation view

Exhibition runs through to July 20th, 2019

Galerie Eva Presenhuber
Maag Areal Zahnradstrasse 21,
CH-8005 Zürich
Switzerland

www.presenhuber.com

  

CHRISTIAN FOGAROLLI – IL CORPO D’ARIA

Posted on 2019-06-17

Christian Fogarolli’s project Il corpo d’aria is based on these premises and presents some works that investigate the relationship between instrument, body and soul in the spaces of the Alberta Pane Gallery in Paris.
The works attempt to explore some contemporary issues and problems in relation to the body and the mind, which are elements scientifically considered as a simple organic mass that can be modified, cured and redeemed. The research represents an evolutionary phase and is coherent with the artist’s entire path based on a contemporary vision of illness, deviance and treatment approaches.
The project on display leads to a critical view of the body, seen as a simple organism and often reduced to the categories of today’s natural sciences, such as biochemistry and genetics. The installations and the photographic works, which have been specially created, have been conceived starting from these thoughts and in reference to how science, by definition, denies itself as a consequence of the birth of new premises. This implies a constant loss of meanings to the detriment of causes towards a utopian truth.

Opposite – Handle with care 3, 2019

Exhibition runs through to July 27th, 2019

Galerie Alberta Pane
47 Rue de Montmorency
75003 Paris

www.albertapane.com