BRENT WADDEN – BANKS / BARS

Posted on 2019-05-13

Canadian artist Brent Wadden presentw a new series of paintings in which he further interrogates his relationship to time. Brent Wadden has always been slightly outside the mainstream. After studying painting and drawing at the Nova Scotia College of Art and Design, in an age when most spent their time in front of a computer screen, he took an interest in weaving. He learned the trade from Travis Joseph Meinolf, an artist from San Francisco who was working in Berlin at the time. The connection with the Bauhaus school seems obvious, although Wadden’s curiosity was originally sparked by the quilt makers of Gee’s Bend, Alabama, well before he deepened his knowledge of the movement. The interest of his work lies essentially in the sectorisation
of different media, as he says himself: “to me, the Bauhaus movement seemed more based on notions of industrial design, while I was more focused on what it meant to weave. I actually continued to paint murals, or to mix both types of work in my first exhibitions, but I found it disturbing, so started to think about transforming weaving into what could be considered a painting.”

Opposite – Untitled, 2019

Exhibition runs through to May 22nd, 2019

Almine Rech
20 rue de l’Abbaye
B-1050 Brussels
Belgium

www.alminerech.com

  

RODRIGO MATHEUS – CITY OF STARS

Posted on 2019-05-13

The exhibition City of Stars marks a major turning point in the artistic and conceptual practice of Rodrigo Matheus, who has been based in France for the last four years. The title comes from a brutalist architectonic complex called “La cité des Etoiles,” realized between 1976 and 1982 by Jean Renaudie (1925-1981), within the scope of revitalizing the city of Givors. Drawing inspiration from the French architect’s work, Rodrigo Matheus presents us with an immersive exhibition.

Rodrigo Matheus, imbued by Brazilian brutalist architecture, wished to create works that would fluctuate between an homage to and an interrogation on this architecture in France. In this exhibition, he reflects on the suburb as a space of social construction and creativity, dear to Jean Renaudie.

Opposite – Installation view

Exhibition runs through to June 1st, 2019

Galerie Nathalie Obadia
18 rue du Bourg-Tibourg
75004 Paris

www.nathalieobadia.com

  

JOSH SMITH – EMO VIEWING ROOM

Posted on 2019-05-06

The exhibition City of Stars marks a major turning point in the artistic and conceptual practice of Rodrigo Matheus, who has been based in France for the last four years. The title comes from a brutalist architectonic complex called “La cité des Etoiles,” realized between 1976 and 1982 by Jean Renaudie (1925-1981), within the scope of revitalizing the city of Givors. Drawing inspiration from the French architect’s work, Rodrigo Matheus presents us with an immersive exhibition.

Rodrigo Matheus, imbued by Brazilian brutalist architecture, wished to create works that would fluctuate between an homage to and an interrogation on this architecture in France. In this exhibition, he reflects on the suburb as a space of social construction and creativity, dear to Jean Renaudie.

Opposite – Scholes Street, 2019

Exhibition runs through to June 15th, 2019

David Zwirner
519 West 19th Street
NY 10011
New York

www.davidzwirner.com

  

CHLOE WISE – NOT THAT WE DON’T

Posted on 2019-05-06

In Not That We Don’t, Wise continues her exploration into portraiture, landing on the unspoken dynamics that maintain the individual’s participation amongst the group, allowing for their seemingly fluid existence in society. Placed within a space of ambiguity, Wise’s subjects flirt with legibility; their gathering suggesting a familiar event such as a party, theatrical production, or a yearbook photo, only to deny the grounds for any such staged communion.

Opposite – Getting rid of evil would be boring, 2019

Exhibition runs through to May 18th, 2019

Almine Rech
Grosvenor Hill, Broadbent House
W1K 3JH
London

www.alminerech.com

  

DE WAIN VALENTINE – WORKS FROM 1967 TO PRESENT

Posted on 2019-05-06

This exhibition offers fresh avenues to engage more fully with Valentine’s remarkably rich and complex ongoing career. Ever since his emergence on the Los Angeles art scene in 1965, Valentine stood out as an artist developing cutting edge technological solutions for his ambitious sculptures, as well as his lesser-known, yet striking paintings. He seamlessly put to use his unique engineering and scientific skills towards previously unseen aesthetic results. Valentine’s abstract and geometric volumes were made out of synthetic plastic and resins, a material almost untouched by artists at the time. What remains the unique mark of Valentine’s sculptural production, is that he was capable of endowing this industrial and
commercial material with poetic qualities, and dreamy, ethereal, vaporous associations that were unforeseeable from such a material. Valentine transformed this medium and made it very apt to capture the subtle nuances of the rich and varied L.A. atmospheric effects.

Opposite – Portal Rose, 1969, casted in 2014

Exhibition runs through to June 8th, 2019

Almine Rech
39 East 78th Street
NY 10075
New York

www.alminerech.com

  

ASTA GROTING

Posted on 2019-04-29

In Asta Gröting’s manifold artistic practices, which she has developed since the mid-1980s, the artist translates sculptural thought in diverse media. Gröting inverts the lexicon of monumental sculpture to draw our attention to absence and the physical and emotional rifts between people and things. Whether addressing family members, friends, lovers, or historical figures, Gröting’s work across media seeks to cast abstract qualities such as thought, intimacy, mourning, conflict, and subjectivity. Her ongoing engagement with gaps, interior spaces, and inner organs questions the social body by taking something away from it and, in the words of writer Deborah Levy, “allows this absence to do the talking.”

Opposite – Not feeling too cheerful, 2018

Exhibition runs through to June 1st, 2019

carlier | gebauer
Markgrafenstraße 67
D-10969 Berlin
Germany

www.carliergebauer.com