TAL R – BEAUTIFUL BOY (SMUKKE DRENG)

Posted on 2019-08-12

Tal R’s new exhibition Beautiful Boy (Smukke Dreng) at Galleri Bo Bjerggaard consists of paintings, drawings and two films by Emma Rosenzweig. In the gallery’s west wing exhibition space, one is met with portraits of the people who occupy the painter’s home; the painter’s wife, his children and friends, along with still lives of the objects and things that the painter has picked up along the way; a Ukrainian goat, children’s toys and Chinese souvenirs. After nine years with hare glue and pigments, in this new exhibition Tal R has returned to the oil painting. There is great focus on detail and the paintings appear saturated in their abundance. The paintings have a slow quality and a calm, which gives the viewer the opportunity to linger on the motif and the detail. We experience Tal R’s wife and children resting in private moments with ornamental backgrounds. The boys, who show themselves to us in static poses. The still lives of objects found while travelling or in flea markets. While the paintings are made up of layer upon layer of paint, the fifty drawings in the corridor, in a contrast to this, show another kind of calm. The drawings are rooted in a variety of processes: some are sketches for the paintings, while others act as a study of the finished motif.

Opposite – Vertikalt øje, 2019

Exhibition runs through to November 9th, 2019

Galleri Bo Bjerggaard
Flæsketorvet 85 A
DK-1711 Copenhagen
Denmark

www.bjerggaard.com

  

EMILY MAE SMITH – AVALON

Posted on 2019-08-12

The title is an invented word and reflects the main idea of the exhibition. Polypastoraline is constructed of (poly-) many + (pastoral) relating to rural life + (-ine) denoting of or pertaining to. Since antiquity, the theme of the Pastorale has been used in poetry, music, and art to evoke a place or state of mind that embodies the rapture of an undisturbed, peaceful landscape. From the frescoes of Pompeii, to the classical strains of Beethoven’s symphonies and the idealized landscapes of Claude and Poussin, the pastoral subject was used to evoke harmony, reverie and serenity. Over time, as the natural world has become increasingly soiled by human intervention, the ethos expressed by the pastorale has aquired darker connotations, where dismay and a sense of loss loom large over the demise of bucolic sanctity. And given the increasingly rapid pace of toxic climate change, the emergence of new paradigms for thematizing nature is inevitable.

Opposite – Installation view

Exhibition runs through to November 9th, 2019

Perrotin
Piramide Building, 1F, 6-6-9 Roppongi, Minato-Ku
106-0032 Tokyo
Japan

www.perrotin.com

  

MATTHEW RONAY – POLYPASTORALINE

Posted on 2019-08-12

The title is an invented word and reflects the main idea of the exhibition. Polypastoraline is constructed of (poly-) many + (pastoral) relating to rural life + (-ine) denoting of or pertaining to. Since antiquity, the theme of the Pastorale has been used in poetry, music, and art to evoke a place or state of mind that embodies the rapture of an undisturbed, peaceful landscape. From the frescoes of Pompeii, to the classical strains of Beethoven’s symphonies and the idealized landscapes of Claude and Poussin, the pastoral subject was used to evoke harmony, reverie and serenity. Over time, as the natural world has become increasingly soiled by human intervention, the ethos expressed by the pastorale has aquired darker connotations, where dismay and a sense of loss loom large over the demise of bucolic sanctity. And given the increasingly rapid pace of toxic climate change, the emergence of new paradigms for thematizing nature is inevitable.

Opposite – Temple Bell, 2019

Exhibition runs through to October 19th, 2019

NILS STÆRK
Glentevej 49
2400 Copenhagen
Denmark

nilsstaerk.dk

  

VOLUME FOUR, ISSUE NINE

Posted on 2019-08-07

Photography & Art content Paul Franco, Sophie Green, Keith Haring, Timothee Lambrecq, Jason Lee, Courtney MC, NASA.

Photography & Fashion content Hollie Fernando, Jens Ingversson, Quentin Jones, Kenneth Cappello, Jem Mitchell, Ben Parks, Michael Harrison Rudd, Hannah Scott Stevenson.

Available at exitmagazineshop.bigcartel.com

  

ROY LICHTENSTEIN – THE LOADED BRUSH

Posted on 2019-08-05

The Loaded Brush is an in-depth exhibition focusing on this seminal period of Roy Lichtenstein’s career which follows numerous historic and institutional shows in the United States, brings together rarely seen works that span major figurative and abstract paintings, sculptures, collages and drawings. Together, the brushstroke sculptures and paintings constitute a significant portion of the artist’s oeuvre and demonstrate some of the guiding interests of Lichtenstein’s ongoing artistic development across a variety of materials.

A highlight of the exhibition, now exhibited for the first time in Europe, is one of Roy Lichtenstein’s most daringly expressive works: Artemis and Acteon (1987), inspired by Titian’s masterful rendering of the Greek myth painted in 1556–1559.

Opposite – Artemis and Acteon, 1987

Exhibition runs through to September 28th, 2019

Galerie Thaddaeus Ropac
Villa Kast
Mirabellplatz 2
5020 Salzburg
Austria

www.ropac.net

  

THE FLETCHER FAMILY – A LIFETIME IN SURF

Posted on 2019-08-05

The legendary Fletcher family has been an institution and guiding presence in surf and skate culture for decades, with an influence that extends to the worlds of fashion, music, streetwear, and art. Now, Fletcher: A Lifetime in Surf, written by Dibi Fletcher—wife of Herbie and matriarch of what Esquire has called “surfing’s first family”—simultaneously traces the evolution of the Fletcher family’s life and offers an oral history of surfing’s counterculture from the 1950s to today.

Throughout the volume, the family’s intimate storyline is augmented with anecdotes from luminaries including surfing legend Gerry Lopez, Mike Diamond of the Beastie Boys, artist Julian Schnabel, eleven-time world champion pro surfer Kelly Slater, and Steve Van Doren, of the Vans skate shoe company. Dibi’s recollections begin with her childhood memories of her father, big-wave surfing pioneer Walter Hoffman. She then goes on to narrate her union with Herbie, as well as the lives of their sons Christian and Nathan, both surfers, and their grandson, Greyson, a renowned skateboarder, all of whom have erased the boundaries between surfing and skateboarding.

Opposite – Wrecktangle #12, 2014

Exhibition runs through to August 30th, 2019

Gagosian
976 Madison Avenue
NY 10075
New York

gagosian.com