NICK BRANDT – THE DAY MAY BREAK

Posted on 2024-10-27

The Fahey/Klein Gallery is pleased to present SINK / RISE: The Day May Break, Chapter Three and THE ECHO OF OUR VOICES: The Day May Break, Chapter Four, an exhibition of new works, made as part of an ongoing global series of images portraying people and animals that have been impacted by environmental degradation and destruction.

Opposite – Women with Sleeping Children, Jordan, 2024

Exhibition runs through to October 27th, 2024

Fahey/Klein Gallery
148 North La Brea
Los Angeles
CA 90036

www.faheykleingallery.com

  

RED ONE

Posted on 2024-10-27

After Santa Claus (code name: Red One) is kidnapped, the North Pole’s Head of Security (Dwayne Johnson) must team up with the world’s most infamous bounty hunter (Chris Evans) in a globe-trotting, action-packed mission to save Christmas.

In theatres November 6th, 2024

redonemovie

  

UEVPD – 1

Posted on 2024-10-27

UEVPD – Usage/Efficiency/Variance/Platform/Domain – is the solo project of Dominic Goodman, a former member of Mosquitoes and currently one half of Komare.

The self-titled UEVPD debut LP, released on 22nd November via World of Echo, consists of eight sequentially numbered electro-acoustic tracks made over approximately five years, living recordings that have morphed in shape over time, each systematically stripped back to their elemental form before being deemed complete. From the outset, Goodman purposefully deployed a relatively limited array of equipment and adopted a determinedly minimalist approach to composition, a practice in restraint that privileges detail and nuance. Field recordings, made using a combination of dynamic, condenser, contact and electret microphones, geophones and hydrophones, were allied to a basic modular/analogue synth setup, allowing for little in the way of excess or indulgence.

LP – edition of 250

worldofechomusic.com

  

COLIN SELF – LEMNISCATE

Posted on 2024-10-27

From Colin Self’s lemniscate EP.

Colin Self’s lemniscate is a statement of purpose, and a powerful reintroduction to the Berlin and New York based artist, composer, and puppeteer’s music, their first offering since the acclaimed 2018 album Siblings and companion EP, Orphans.

igetrvng.com

  

ADIDAS SPZL F.C.

Posted on 2024-10-21

Adidas SPZL F.C. returns with club-specific capsule collections partnering with clubs from adidas’s sporting portfolio: Aberdeen F.C., Leeds United F.C. and Nottingham Forest F.C..

The club-specific capsules of footwear and apparel are realized by means of a considered campaign. Shot by renowned photographer Kevin Cummins alongside the team at &SON, the resulting visuals feature current players and club legends from Aberdeen (Leighton Clarkson & Neil Simpson) , Leeds United (Dan James & Eddie Gray) and Nottingham Forest (Ryan Yates & Viv Anderson) football clubs in their element, photographed at their respective home grounds.

The club-specific SPZL ranges nod to each club’s sporting heritage in the context of modern designs. At the centre of the collection is each club’s own take on the signature Lotherton SPZL silhouette – a classic trainer sourced straight from adidas SPZL’s own archive. This low-profile, three-stripe trainer arrives in bespoke colours and materials custom fit to each club. Finishing details include an adidas-branded tongue and gold lettering emblazoned across the shoe’s outer face. To boost opportunity for personalisation, the trainer is sold complete with a club-branded swing tag, interchangeable footbeds and contrasting laces.

www.adidas.co.uk/spzl

  

LARRY FINK – SOCIAL GRACES

Posted on 2024-10-21

Larry Fink’s Social Graces series contrasts two social worlds that seem a world apart: those of Manhattan high society and Pennsylvania farm country. In the city, coiffed and bejeweled patrons of the arts dance and drink at gallery openings, benefits, and the famed Studio 54 nightclub; in Martin’s Creek, Pennsylvania, a farming family and their circle celebrate birthdays and graduations, gathering at the roller rink and the Legion. The dress and comportment of Fink’s subjects, and the environments in which they exist, diverge as one might expect. What they share is a desire to be seen—to be photographed. “People like to have their pictures taken,” Fink wrote. “It is a profound aspect of our culture, this compulsion for proof. It allows me to wade into a party.”

Opposite – Russian Ball, New York City, November 1976

Exhibition runs through to October 27th, 2024

Johnson Museum of Art
Cornell University – 114 Central Avenue
Ithaca
NY 14853

museum.cornell.edu