HARRY GRUYAERT

Posted on 2020-02-17

The 2018 documentary Harry Gruyaert Photographer illustrates how Gruyaert’s life was saved by color. Born to the repressed and grey background of a traditional Catholic Flemish family, Gruyaert later discovered the lights and color of Europe. Driven by the irresistible desire to be a photographer, he became a pioneer in European color photography. Gruyaert says “For me, photography is not only about composition and color, it has to say something about the time and the place.”

With an eye for idiosyncratic juxtapositions, Gruyaert has traveled the world finding bewildering beauty, complex constructions, and touching solitude. The exhibition covers his work in France, Spain, Belgium, Morocco, Japan, India, Russia and the U.S. Spanning four decades from 1981 through 2017, his photographs range from street scenes to seascapes, all punctuated with his unique, saturated approach to color. Often a lone figure can be found in his photographs, at times faceless or viewed from behind, evoking a loneliness of modern life or simply the serene banality of the quotidian.

Opposite – Washington, USA, 1986

Exhibition runs through to March 14th, 2020

Howard Greenberg Gallery
41 East 57th Street
New York
NY 10022

www.howardgreenberg.com

  

THE ROADS NOT TAKEN

Posted on 2020-02-17

The Roads Not Taken follows a day in the life of Leo (Javier Bardem) and his daughter, Molly (Elle Fanning) as she grapples with the challenges of her father’s chaotic mind. As they weave their way through New York City, Leo’s journey takes on a hallucinatory quality as he floats through alternate lives he could have lived, leading Molly to wrestle with her own path as she considers her future.

In theatres May 1st, 2020

the-roads-not-taken

  

JOHN MILLER – THE COLLAPSE OF NEOLIBERALISM

Posted on 2020-02-17

John Miller has been exploring notions of identity, economics, and social class throughout his forty-year practice. His latest exhibition concerns, among other things, a sense of everyday malaise and life’s petty annoyances. It features a series of large-format photographs, two installations, and a video work titled Toll Free.
Mannequins are an iconic theme in this show. Miller characterizes them as simple anthropomorphized clothing racks that can nonetheless prompt unnerving degrees of identification. Miller’s current photographs, installations, and videos insert these figures into familiar, even normalizing, scenarios that underscore their function as objects of desire onto which we, as both spectators and consumers, project a miasma of fleeting trends and fashions. These projections convey not only the sphere of popular culture but also the expectations of artworks operating within it.

Opposite – Consent (Manufactured), 2019

Exhibition runs through to March 14th, 2020

Metro Pictures
519 West 24th Street
NY 10011
New York

www.metropictures.com

  

ESTHER STOCKER – LOVING IMPERFECTLY

Posted on 2020-02-17

Esther Stocker is internationally renowned for her paintings and installations made in an abstract and geometrical perspective, the two genres being closely related to each other. The artist’s installations are three-dimensional projections of her paintings, exclusively made with a limited palette of black, grey and white. Could they be described as spatial, sculptural paintings or rather as pictorial spaces?

“In this exhibition, I want to combine sculptures with paintings. They are structural works with interruptions in geometry, more precisely: systems that show both order and disorder.
I want forms to become free of our expectations. It’s as if we were “constrained” by the things we know and this condition can restrict the space we give to our imagination. I am looking for undefined, vacant, “open” and free points.”

Opposite – Untitled, 2020

Exhibition runs through to March 14th, 2020

Galerie Alberta Pane
47 Rue de Montmorency
75003 Paris
France

www.albertapane.com

  

VALERIE BELIN – REFLECTION

Posted on 2020-02-17

Valérie Belin has worked on superimposing various previously unpublished photographs of shop windows and storefronts in Manhattan and other cities in New York state. She thus revisits a recurring theme in her work since the 1990s. The exceptional photographic collection of the Victoria & Albert Museum has been a resource for the artist, whether it be photographs created by the Worsinger Window Service (or Worsinger Photo), a New York firm that specialized in documenting shop windows and interiors, or Robert Brownjohn’s Street Level series focused on photographs of signs and typographies. The artist also refers to the work of Eugène Atget and of Walker Evans, the photographer par excellence of vernacular American culture, or even the photographs of Lee Friedlander.

Opposite – Fresh Cuts, Atlanta (Reflection), 2019

Exhibition runs through to April 4th, 2020

Galerie Nathalie Obadia
3 rue du Cloître Saint-Merri
75004 Paris
France

www.nathalieobadia.com

  

DAVID SALLE – SELF-IRONING PANTS AND OTHER PAINTINGS

Posted on 2020-02-17

Minimalist, experimental, intellectual and primal. Black and white abstraction. Formal and yet technically avant-garde. Vibrant, refined, gestural – in and out of control. Arrested motion. Perfected through repetition, but never perfect. The work of Craig Costello is all about equilibrium. Surface, movement, paint, application and reaction.

Craig Costello, born 1971 in New York City, USA, lives and works in Brooklyn, USA. Recent exhibitions include Beyond the Streets, New York, USA, 2019, Fundamentals, Rouen, France, 2019 and WHQ, agnès b. Galerie Boutique, New York, USA, 2017. Costello is the founder, owner and operator of Krink Inc. – innovating the finest inks, high quality paint markers and specialty artist equipment for interior and exterior use. Costello uses his own paints and tools – modified fire extinguishers, garden sprayers and shoe polish bottles – in his paintings, sculpture and large-scale, site-specific installations.

Opposite – A Night in the Sky with Friends, 2019

Exhibition runs through to February 29th, 2020

Galerie Thaddaeus Ropac
Marais
7 rue debelleyme
75003 Paris

www.ropac.net