CHRIS DORLEY-BROWN – THE CORNERS

Posted on 2019-02-11

Robert Koch Gallery presents The Corners, a series of photographs by British photographer Chris Dorley-Brown, whose surreal and off-kilter imagery of his hometown streets of the London Borough of Hackney is comprised of many separate relatively narrow captures taken from the same vantage point over an extended period, sometimes up to an hour at a time. The artist sets up the camera in one location, and tilts and pans around the cityscape to capture the activity on the street, along with it’s unsuspecting protagonists. Once he has returned to the studio, he overlays the resulting moments into one central composition or alternate reality, which initially presents the viewer with a sense of familiarity, but dually takes on a dreamlike tone.

Exhibition runs through to March 2nd, 2019

Robert Koch Gallery
49 Geary Street 5th Floor
San Francisco
94108 CA

www.kochgallery.com

  

IMPLICIT TENSIONS: MAPPLETHORPE NOW

Posted on 2019-02-11

In the thirty years since his death, Robert Mapplethorpe (1946–1989) has become a cultural icon. One of the most critically acclaimed and controversial American artists of the late twentieth century, Mapplethorpe is widely known for daring imagery that deliberately transgresses social mores, and for the censorship debates that transpired around his work in the United States during the late 1980s and early 1990s. Yet the driving force behind his artistic ethos was an obsession with perfection that he bought to bear on his approach to each of his subjects.

In 1993, the Guggenheim received a generous gift of approximately two hundred photographs and unique objects from the Robert Mapplethorpe Foundation, initiating the museum’s photography collection. The Guggenheim celebrates the sustained legacy of the artist’s work with a yearlong exhibition program conceived in two sequential parts.

The first part of Implicit Tensions (January 25–July 10, 2019) features highlights from the Guggenheim’s in-depth Mapplethorpe holdings, including early Polaroids, collages, and mixed-media constructions; iconic, classicizing photographs of male and female nudes; floral still lifes; portraits of artists, celebrities, and acquaintances; explicit depictions of New York’s underground S&M scene; and searingly honest self-portraits.

The second part of Implicit Tensions (July 24, 2019–January 5, 2020) will address Mapplethorpe’s complex legacy in the field of contemporary art. A focused selection of his photographs will be on view alongside works by artists in the Guggenheim’s collection, including Rotimi Fani-Kayode, Lyle Ashton Harris, Glenn Ligon, Zanele Muholi, Catherine Opie, and Paul Mpagi Sepuya.

Exhibition runs through to July 10th, 2019

Solomon R. Guggenheim Museum
1071 5th Ave
New York
NY 10128

www.guggenheim.org

  

ABSOLUT DROP

Posted on 2019-02-11

Absolut’s latest campaign celebrates the power that love has to create a more open world and make a real difference to people’s lives, especially in places where hate-speech and intolerance is widespread.

This was the inspiration behind the Absolut Drop limited edition bottle. The bottle design contains ink taken from hate signs around the world and repurposed to spread a message that radiates positivity. Absolut travelled to racist and anti-LGBTQ protests, collected hate signs, extracted the ink and reused the ink to create the mint and pink Absolut bottle outlines printed on the limited edition bottles. The bottle design also has the word love in multiple languages showing that love has no borders. Ink is not the only element that has been repurposed, as the bottle has also been made using 70% recycled glass including recycled glass from previous limited edition bottles.

The bottle design is emblazoned with the word love in multiple languages to represent love having no borders, and the UK version of the bottle also features a rainbow heart in honour of the LGBT+ community, reading: ‘Taking Pride in Diversity’.

absolutdrop.com

  

DON MCCULLIN

Posted on 2019-02-11

With over 250 photographs, all printed by the artist himself in his own darkroom, this exhibition is a unique opportunity to see the scope and achievements of McCullin’s career. Renowned as one of Britain’s greatest living photographers, McCullin has captured images of conflicts from around the world, from Vietnam and the Congo, to Cyprus and Beirut. Often taken at great personal risk, these unforgettable photographs will be shown alongside McCullin’s work in documentary photography, his travel assignments and his long term engagement with landscape and still life.
The exhibition includes some of McCullin’s most iconic photographs including Shell-shocked US Marine, The Battle of Hue 1968, Starving Twenty Four Year Old Mother with Child, Biafra 1968 and Northern Ireland, The Bogside, Londonderry 1971.

Opposite – Local Boys in Bradford, 1972

Exhibition runs through to May 6th, 2019

Tate Britain
Millbank
Westminster
London
SW1P 4RG

www.tate.org.uk

  

OUER – STINGRAY NEBULA EP

Posted on 2019-02-11

The OUER guys just live down the road from Dirt Crew Recordings in Berlin, and they have been crossing paths many times these past years so it is with great joy that they can finally present a full EP with their unique approach to electronic music on Dirt Crew Recordings. Since their debut on “HEIST” in 2016 Xaver and Oliver have consistently pushed their sound and production, on their own OUER imprint they released four EP’s up till now and the latest called “E” is just a few weeks old as we speak.

www.dirtcrew.net

  

TRAVIS SCOTT – CAN’T SAY

Posted on 2019-02-11

Saint Laurent has just released Travis Scott’s music video for ‘Can’t Say’ featuring Don Toliver.
Directed by Nathalie Canguilhem and produced by Saint Laurent, with fashion entirely from Saint Laurent by Anthony Vaccarello.

www.ysl.com
travisscott.com