The perfect size for essential tools and supplies in your studio or apartment. Made of durable powder-coated steel with removable steel tray. Finished with a metal handle, latch, and stainless steel Krink plate.
19 x 7 x 7.25 inches (48.2 x 17.8 x 18.4 cm)
Handmade in the USA.
Tweet
The second Richardson x PornHub collaboration features a limited 13-piece capsule including hoodies, crewnecks, bombers, slip-on sandals, baseball hats, tote bags, playing cards and socks.
Tweet
The exhibition features 100 vintage black and white prints that span the late 1950s to the mid-1970s. The show features McDarrah’s most iconic images alongside never-before-seen work from his extensive archive. The exhibition launches the publication of the most comprehensive survey on the photographer, Fred W. McDarrah: New York Scenes, published by Abrams, which includes more than 270 illustrations and an introductory essay by Sean Wilentz.
Fred W. McDarrah (1926 – 2007) was the only staff photographer at The Village Voice for decades and was its first picture editor. McDarrah was the eyes of The Voice. His pictures were the graphic expression of the United States’ first, largest and most spirited alternative weekly as it recorded and helped create the most vibrant decades of the greatest city in the world. He captured every vital moment, from Jack Kerouac reading poetry to Bob Dylan hanging out in Sheridan Square to Andy Warhol filming in the Factory, to the Stonewall rebellion.
Opposite – Drag queens compete in the Miss All-America Camp Beauty Pageant at Town Hall, 123 West Forty-Third St., February 20, 1967
Exhibition runs through to November 15th, 2018
Steven Kasher Gallery
515 West 26th Street
New York
10001 NY
The title of the exhibition references the limits of human perception-12 Hz is the lowest sound threshold of human hearing. It suggests imperceptible forces, from plate tectonics to the ocean tides, from cycles of growth and decay in the forest, to the incomprehensibility of geological spans of time. The photographs in 12 Hz allude to the ungraspable scale and veiled mechanics of these phenomena, while acknowledging a desire to gain a broader perspective, beyond the human enterprise, in a time of ecological and political crisis.
This first installation of 12 Hz consists of large-scale black and white images of lava tubes, tidal currents, river water and welded tuff formations: pictures describing the raw materials of the planet, those that make organic life possible. The photographs were made in the state of Oregon, from the high lava plains in the Deschutes National Forest to the gorges in the Cascade Range, and the sea caves and tide pools near Cape Perpetua on the Oregon coast.
Opposite – Lava Tube #1, 2017
Exhibition runs through to November 17th, 2018
Gallery Luisotti
2525 Michigan Avenue
Building A2
Los Angeles
90404 CA
Objekt returns to PAN with Cocoon Crush, his second album for PAN and first new material minus one heavy plate on his synonymous white-label imprint since 2014.
Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.
TweetThree Identical Strangers tells the astonishing story of three men who make the chance discovery, at the age of 19, that they are identical triplets, separated at birth and adopted to different parents. The trio’s joyous reunion in 1980 catapults them to fame but it also sets in motion a chain of events that unearths an extraordinary and disturbing secret that goes far beyond their own lives – a secret that might one day answer key questions at the heart of all human behaviour.
In theatres November 30th, 2018
www.threeidenticalstrangers.com
Tweet