Posted on
2017-04-24
While familiar imagery can be seen throughout her photographic career, a particular interest in nineteenth century American Spiritualism and photography, and the creation of visual and optical modernism, distinguishes “Natural Magic.” Framed in ovals styled after nineteenth century traveling magic road shows, Charlesworth uses the “magic tricks” of analog medium and large format camera––double exposures, special effect props, and light and scale manipulation––to explore the relationships between the science of photography and the obfuscating effects of magic, playing the conventions of each against each other.
Sarah Charlesworth was a central figure in the development of contemporary photographic practices. From the late 70s until her final series in 2012, Charlesworth responded to the rapidly increasing saturation of the visual field, analyzing the ways photography expresses value and belief systems, and examining the role of the medium within popular culture as it serves to articulate models of sexuality, gender, and politics. Upon reevaluation in today’s socio-political context, this particular series provides poignant commentary on the notion of veracity.
Opposite – Levitating Woman, 1992-93
Exhibition runs through to May 6th, 2017
Maccarone
98 Morton Street
New York
NY 10014
maccarone.net