The Stussy/ Gore-Tex 2016 delivery offers a new take on the Mountain Parka with bolder, amplified GORE-TEX lettering. A classic Fishtail Jacket is also highlighted, in addition to adjustable caps which match the aforementioned Mountain Parka colorways.
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The new video displays the Shadow Project “6519” collection in an almost intense frame, as silhouettes such as sweaters, tees, parks and more technical outerwear are shown against a military-esque backdrop. The collection features a pervasive feel of “stealthiness” throughout, as a color palette of stone grey, black and white dominates the majority of the collection.
TweetDJ Shadow drops a video for the song “Three Ralphs,” from his ‘The Mountain Will Fall’ release on Mass Appeal Records. It’s a haunted, strobing animation set to Shadow’s dark, glitchy soundscape of minimalist beats. It was created by the artist Ruffmercy, who has worked with Earl Sweatshirt, Run The Jewels, Danny Brown, Dilla and Nas, and beyond.
TweetFrom the album We got it from Here… Thank You 4 Your service, there sixth studio album. The album features guest appearances from André 3000, Kendrick Lamar, Jack White, Elton John, Kanye West, Anderson Paak, Talib Kweli, and the group’s most frequent collaborators Consequence and Busta Rhymes.
TweetThis is a live performance of “Lotta Years” from Aesop Rock’s album, “The Impossible Kid,” on Rhymesayers Entertainment.
TweetIn his new exhibition Deep Surfacing, André Hemer continues to explore the complexity of seeing in the contemporary world. We live in a time in which we are likely to encounter everyday objects as de-materialized digital forms as much as their physical incarnations. Fundamental notions of what it means to experience and determine space, light, and illusion all have been reimagined as a result.
The paintings amalgamate different ways of looking at the same thing within a single canvas. Hemer begins his painting process with sculpted forms of dried thickened paint that are then arranged on top of a digital flat-bed scanner. With the lid of the scanner removed, digital scans were captured directly under the summer sky of Vienna.
The resulting combination of the light sources (the LED light of the scanner mixed with sunlight) manifests images that appear digital but are not produced in a strictly digital manner. The three-dimensionality of the captured forms is accentuated by saturated light and shadow, almost akin to 3D computer renderings that might suggest an infinite depth of space.
Opposite – Deep Surfacing #2, 2016
Exhibition runs through to December 17th, 2016
Luis De Jesus Los Angeles
2685 S La Cienega Blvd
Los Angeles
CA 90034
