Featuring cover talent Ian Connor photographed exclusively in Los Angeles by Kenneth Cappello.
Photography & Art content from Gregory Crewdson, Juno Calypso, Rod Henderson, Daido Moriyama, Olivia Bee & Whitney Hubbs.
Photography & Fashion content from David Roemer, Benjamin Vnuk, Jason Pietra, Kenneth Cappello, Michael Schwartz, Tung Walsh & Bruno Osif.
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After surviving a car accident, a woman wakes up in an underground cellar, where most of the film takes place. She fears she has been abducted by a survivalist, who tells her he saved her life, and that a worldwide chemical attack has left Earth’s surface uninhabitable. Uncertain what to believe, she decides she must escape, no matter what dangers she may face outside.
In theatres March 18th, 2016
Tweet1975. Two miles west of London, Dr. Robert Laing moves into his new apartment seeking soulless anonymity, only to find that the building’s residents have no intention of leaving him alone. Resigned to the complex social dynamics unfolding around him, Laing bites the bullet and becomes neighbourly. As he struggles to establish his position, Laing’s good manners and sanity disintegrate along with the building. The lights go out and the lifts fail but the party goes on. People are the problem. Booze is the currency. Sex is the panacea. Only much later, as he sits on his balcony eating the architect’s dog, does Dr. Robert Laing finally feel at home.
Directed by Ben Wheatley and adapted from J.G. Ballard’s novel of the same name.
In theatres March 18th, 2016
TweetParis, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she’s not a good singer. Both her friends and her husband have kept her fantasy. The problem begins when she decides to perform in front of a real audience.
In theatres March 18th, 2016
TweetSaid to have been recorded in 1995, these highly valuable archival recordings of Manchester’s Jega show a producer who has always operated on the fringes of electronica while maintaining a truly individual sound. Recorded straight to tape as you would in those days, these tracks pre-date his now classic 1998 album Spectrum and still sound as futuristic as his music did back in the late 90’s. There is a certain eeriness to this music, it sounds almost out of time with itself and while the touchstones of ambient works 85-92 Aphex and the more sedate BOC shadows the music, the overall sound is one of uniqueness.
TweetHaving crafted an unmistakable identity in the realm of leftfield electronic pop with releases on Young Turks, R&S and Honest Jon’s since 2011, London producer Nathan Jenkins finally drops his debut album as Bullion. Loop the Loop arrives via his own DEEK Recordings and features guest appearances from the label’s roster, including folk singer Laura Groves, plus none other than Sampha. He stars on the lush title track with his characteristically soulful melismatic backing vocals and additional keys, but the true stars of the song are Jenkins’ effortless singing and the fluffy arrangement of weightless, glistening synths and elastic bass lines. Taking cues from 1970s and 80s experimental pop such as Devo, Holger Czukay (Can) and Bill Nelson (Bebop Deluxe), Jenkins works with easily digestible patterns and melodies, but questions traditional song structures: he repeats sequences like broken records (‘Health’) and appropriates forms, presenting his unique take on ballads (‘Get To The Heart Of It’) and dance pop (‘Speed’).
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