THE ROCKET

Posted on 2014-03-03

Laos: A boy who is believed to bring bad luck, is blamed for a string of disasters. When his family loses their home and are forced to move, Ahlo meets the spirited orphan Kia and her eccentric uncle Purple: an ex-soldier with a purple suit, a rice-wine habit and a fetish for James Brown.

Struggling to hang on to his father’s trust, Ahlo leads his family, Purple and Kia through a land scarred by war in search of a new home. In a last plea to try and prove he’s not cursed, Ahlo builds a giant explosive rocket to enter the most lucrative but dangerous competition of the year: the Rocket Festival. As the most bombed country in the world shoots back at the sky, a boy will reach to the heavens for forgiveness.

In theatres March 14th, 2014

www.therocket-movie.com

  

NEED FOR SPEED

Posted on 2014-03-03

Fresh from prison, a street racer (Aaron Paul aka Jesse Pinkman) who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins.

In theatres March 12th, 2014

www.theneedforspeedmovie.com

  

MATTHEW STONE – UNCONDITIONAL LOVE

Posted on 2014-03-03

Unconditional Love introduces lush digitally printed paintings. Stone hand-paints on glass and photographs the resulting compositions. These high-resolution details are then digitally intensified and retouched to remove subjective imperfections, such as dust and hairs. The paint is then printed onto veneered wooden panels, sheet acrylic and mirror. The resulting works employ photography and digital printing as part of an extended artistic process that furthers the visual and practical potential of paint, rather than as an objective or documentarian means to an end.

Almost offensively juicy and often steeped in visceral colour, the works upturn the holy status of art history’s worship of “paint handling” and “brushwork” as untouchable cosmic flesh, whilst simultaneously and sincerely reasserting its living legacy of visceral and emotionally manipulative power. Stone’s paint gestures mimic the movements and colours of Renaissance painting and sculpture and suggest the punchy thrusts and flair of dancers in motion or joyful movement in general. Their genuine love of colour and movement draw the viewer in and celebrate the eye and its joys in the realm of paint. While ostensibly resembling a scaling of the “masterful” brushwork of Motherwell or de Kooning, the final works, perhaps like Lichtenstein’s spoofy quoted strokes, live as flattened snapshots of captured and ephemeral moments. They are digitally composed gestures, flat and practically inert but imaginatively ecstatic. The turns of the wrist that twist the paint into three dimensionality suggest the contrapposto twirl of a dancer or the circular helix of a Michelangelo marble, while the gush of colour is un-gendered orgasm.

Exhibition runs from March 6th to April 6th, 2014

The Hole NYC
312 Bowery
New York
NY
10012

theholenyc.com

  

YOKO ONO – HALF-A-WIND SHOW. A RETROSPECTIVE

Posted on 2014-03-03

With nearly 200 pieces including installations, objects, films, drawings, photographs, text and audio pieces, and documented performances, this exhibit offers a complete vision of the multiple productions of this pioneer of conceptual and performance art. Ideas, not materials, are the main component of Yoko Ono’s work (Tokyo, 1933), which is often imbibed with social criticism. Many of these ideas are poetic, absurd and utopian, while others are specific and attainable. Some turn into objects, while others remain immaterial.

The starting point for many of her pieces can be found in Yoko Ono’s Instructions. Guidelines the artist developed for her viewers, which gives the audience a much more active role than they are accustomed to. The exhibition covers Ono’s entire career up to the present, from her most significant works from the 1960’s to recent installations and pieces created especially for this retrospective, with a special section dedicated to her music and film production.

Opposite – Walking On Thin Ice, vídeo, 1981

Exhibition runs from March 14th to September 4th, 2014

Guggenheim Museum Bilbao
Av Abandoibarra
2 48009 Bilbao
Vizcaya
Spain

www.guggenheim-bilbao.es

  

KID ACNE – ADAPTATIONS

Posted on 2014-03-03

Adaptations is a solo exhibition by UK Street Art stalwart and modern-day renaissance man, Kid Acne. A celebration in printmaking and illustration, this exhibition explores the notions of sampling and remixing and aims to highlight the distinction between ‘loving homage’ and ‘plagiarism’ – arguably a grey area within the art world today.

Part retrospective, Adaptations showcases selected artworks from the Kid Acne archives, which pay dividends to seminal moments in popular culture, such as his re-imagined versions of Wizbit, The Beastmaster, Paul’s Boutique and The Adventures of Baron Munchausen – many of which are being shown in London for the very first time. Alongside such pieces are new and exclusive works made specifically for the show. Expect a heady mix of 80′s flashback and B-Boy decadence.

Exhibition runs from March 7th to March 30th, 2014

The Graffiti Life Gallery
26 Cheshire Street
London
E2 6EH

thegraffitilifegallery.co.uk

  

ADRIAN SAUER – LOOKING AT THE WINDOW

Posted on 2014-03-03

Whether romanticized, abstract, or with the mien of a toxic cloud – the photographs of the sky that Adrian Sauer showes for the first time in Madrid give free rein to our yearning for sumptuous images.

The photographs are more than just the result of the artist’s daily ritual of pointing his camera upward to capture weather phenomena. The cloud motif provides a chance to reflect on the visual and technical qualities of photography itself. With a second, critical look, the paradoxes appear. The clouds are the subject of the images, yet they are without object. Without proportional reference points or perspective, any attempt to read scale or ratio in them is pointless. But the panel format overtaxes the resolution of the digital compact camera. So Adrian Sauer’s skies, seen up close, disintegrate into millions of millimeter-sized pixels.

Opposite – 20.09.2013, 2013

Exhibition runs through to March 22nd, 2014

Galería Helga de Alvear
Doctor Fourquet, 12
28012 Madrid
Spain

www.helgadealvear.com