Posted on
2013-08-26
For behind the aesthetic appeal of its composition, is the ambiguity of aesthetics and human omnipresence in times of globalization. His landscapes are places where people worked, left carelessly and has forgotten, but also places of transformation as the recordings of forest and bush fires in Portugal, droughts or marble quarrying in Cararra.
Man has created with its legacies landscapes that ravage, pollute and crowd mountains of scrap paper and old car tires, industrial sites and abandoned premises of mega cities. There arise peculiarly poetic photographs that irritate and challenge our experience of reality, because they are beyond the uniqueness. And so we come Vanhöfens photographs, also on “the modern, sentimental feeling for nature,” which was mentioned by the philosopher Georg Lukás said that it is only the “projection of the experience and the self-created environment for the people no longer father’s house, but a dungeon” .
Nature is not the bringer of solace, but “the historical-philosophical objectification of alienation between humans and their structures.” Sure, it’s almost trivial to highlight today that images are ambiguous. But with the large number of images and visual stimuli that surround us every day and seeing the exact flatten, it seems necessary, especially the conscious perception and attention demand again. Attention describes the quality of perception. Jörn Vanhöfen forces the viewer of his paintings, not only to consume, but reading the images.
Exhibition runs through till October 12th, 2013
Kuckei + Kuckei
Linienstr. 158
D – 10115
Berlin
Germany
www.kuckei-kuckei.de