YO LA TENGO – OHM

Posted on 2013-07-15

The video is written and directed by Donick Cary (writer for “The Simpsons”, “Letterman” and more, and creator of “Lil Bush”), with animation by Sugarshack Animation, it features a classroom of people trying to dissect what Yo La Tengo is and one boy’s journey into a strange, colorful universe with a cigar-smoking baby. So yeah, it’s kind of Yo La Tengo’s Yellow Submarine.
“Ohm” will be released as a limited edition triple 12″ by Matador, which comes “with a printed flat in a 4-box poly shower curtain display case.

www.yolatengo.com

  

DAVID LYNCH – THE BIG DREAM

Posted on 2013-07-15

The film director’s second full-length solo album continues with the smokey blues mood and creepy atmosphere of 2011’s Crazy Clown Time. A digital bonus track features guest vocals from Lykke Li.

davidlynch.com

  

LINDSTROM – VOS-SAKO-RV

Posted on 2013-07-15

New video for Lindstrøm’s Smalhans track “Vōs-sākō-rv”. It’s directed by Kristoffer Borgli, and it features two girls hanging out near a swimming pool and dancing.

feedelity.com

  

RJ-K5 ASTROFRESH BASKETBALL DROYD

Posted on 2013-07-15

Joining two of the best things on earth, New York based Flowbot artist JK5 blends his passion for hoops and a certain George Lucas series to create the RJ-K5 Astrofresh Basketball Droyds. Available in 2 editions: the regulation orange colored Galactic Game Ball and the retro red, white, and blue Hyperspace All-Star, these figures are crafted of resin and stand 8.5-inches tall.

www.kidrobot.com

  

LUCIA LAGUNA – JARDIM

Posted on 2013-07-08

Lucia Laguna’s painting portrays her surroundings: the landscape of suburban Rio de Janeiro, the district’s informal architecture, the artist’s own studio and the garden of her house. They are slices of the landscape presented in a veiled, nearly abstract way. Shapes, lines and color fields are overlaid with more figurative elements, often giving the impression of a broken mirror.

Laguna has developed a unique method, in which images are produced in acrylic paint by her assistants, according to her guidelines, who then completes or deconstructs them using oil paint. They are compositions where it seems that the process of painting never ends, the images remains alive and changeable before our eyes. The painting arises not only from observation, but also from an empirical practice of juxtaposition and reprocessing of everyday images, generating an accumulation of memories.

The garden of Lucia’s canvases is urban and characteristic of Rio de Janeiro. It shows itself amid a mix of stones and vases, the hills are taken by houses, and the backyards are full of rubble. In Jardim nº 11, for example, we see only a little table with houses in the background, there is no green on the canvas. The artist leaves large areas covered by patches of paint in colors ranging from beige to yellow, giving the impression of a field yet to be filled. It is an invitation for the spectator to project his/her own images on the accumulation of memories preserved under the mass of color.

Exhibition runs through to August 3rd, 2013

Galeria Fortes Vilaça
Rua Fradique Coutinho 1500
05416-001 São Paulo
Brasil

www.fortesvilaca.com.br

  

ANDREAS RÜTHI

Posted on 2013-07-08

Rüthi works directly from observation, creating complex formal compositions that bring together a variety of interests, with art historical references, found objects and his personal history all occupying equal importance and value of meaning. This exhibition can be seen to show the development of Rüthi’s distinct painterly style with new paintings made during the last four years, split into two series, the book paintings and the more recent Morandiesque still life paintings.

The title of the exhibition, ‘Home Is Where The Art Is’, refers not only to the making of his work and the ways in which his immediate environment influences his painting practice, but to the space and activities associated with domesticity and comfort. His studio is in a former slaughterhouse at the end of his garden and this sense of the uncanny or familiarity goes some way to suggest that the artist has thought about the dissonance between connotations of home. Notions of ‘home’ can of course point towards feminine domains, romantic clichés, cosy familial idylls, and yet persuade us to consider our trust in boundaries from the outside world created only by sand and water, bricks and mortar; a most unsettling reality. At its most basic level, the home is both a potential site of conflict and often of conflicting subjectivities or even ideologies. Though it can be a place where one might feel safe, find refuge, a place of belonging and community, it also holds the possibility of antagonism rather than harmony.

This analogy between the home and the studio clearly resonates strongly with Rüthi. With his pared down methodology – a toy, a book, a piece of fruit, a postcard, a pot, accessory, perfume bottle, shelf or tabletop – his paintings could have been made anywhere: in an unfurnished room devoid of comfort, perhaps a prison cell. The high drama of the everyday is material for the artist: it’s endlessly repeatable, an altar set up by a recidivist, a serial offender who paints the shadows between things.

Exhibition runs through to July 27th, 2013

Galerie Hammelehle und Ahrens
An der Schanz 1a
D-50735 Cologne
Germany

www.haah.de