Posted on
2012-11-12
For Chester Arnold’s solo exhibition, the artist presents new paintings rooted in imagery of the west – grand landscapes scarred by the work of miners, stratified and marked by history: geological and human. Metaphorical narratives and occasions for contemplating the duality of the human journey unfold on the painting’s panoramic stages. The binary sides of our emotional experiences, dark and light, are present in each work.
The title of the exhibition, A Pilgrim’s Progress, references a Christian allegory written by John Bunyan and published in 1678, The Pilgrim’s Progress from This World to That Which Is to Come. It is regarded as one of the most significant works of religious English literature. The paintings in the exhibit convey the artist’s personal journey through what he calls “the disorganized religion of art.” “As the secular madman that I am, there is a constant, inescapable commentary staring back at me from the Judeo-Christian pollution in my early life. I love the stories, but deplore the dogma.” Arnold’s painted imagery also grapples with transitions and the passage of time (perhaps his own aging) through depictions of elderly men, skeletons, and the heavily chiseled chasms in the earth. Arnold’s tenebrous mood in the paintings is tempered by passages that are also humorous and light, providing visual reprieve and a bit of optimism in the ponderous, larger narratives.
Opposite – 60 Years in the Forest, 2012
Exhibition runs through to December 22nd, 2012
Catharine Clark Gallery
150 Minna Street
Ground Floor
San Francisco
CA
94105
cclarkgallery.com